The greatest thanksgiving song of all time: Alice's Restaurant

In 1967, Arlo Guthrie wrote and recorded what has to be the greatest Thanksgiving song of all time. Or is it the only Thanksgiving song of all time?

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Alice's Restaurant
By Arlo Guthrie


This song is called Alice's Restaurant, and it's about Alice, and the restaurant, but Alice's Restaurant is not the name of the restaurant, that's just the name of the song, and that's why I called the song Alice's Restaurant.

You can get anything you want at Alice's Restaurant
You can get anything you want at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want at Alice's Restaurant

Now it all started two Thanksgivings ago, was on - two years ago on Thanksgiving, when my friend and I went up to visit Alice at the restaurant, but Alice doesn't live in the restaurant, she lives in the church nearby the restaurant, in the bell-tower, with her husband Ray and Fasha the dog. And livin' in the bell tower like that, they got a lot of room downstairs where the pews used to be in. Havin' all that room, seein' as how they took out all the pews, they decided that they didn't have to take out their garbage for a long time.

We got up there, we found all the garbage in there, and we decided it'd be a friendly gesture for us to take the garbage down to the city dump. So we took the half a ton of garbage, put it in the back of a red VW microbus, took shovels and rakes and implements of destruction and headed
on toward the city dump.

Well we got there and there was a big sign and a chain across across the dump saying, "Closed on Thanksgiving." And we had never heard of a dump closed on Thanksgiving before, and with tears in our eyes we drove off into the sunset looking for another place to put the garbage.

We didn't find one. Until we came to a side road, and off the side of the side road there was another fifteen foot cliff and at the bottom of the cliff there was another pile of garbage. And we decided that one big pile is better than two little piles, and rather than bring that one up we decided to throw our's down.

That's what we did, and drove back to the church, had a thanksgiving dinner that couldn't be beat, went to sleep and didn't get up until the next morning, when we got a phone call from officer Obie. He said, "Kid, we found your name on an envelope at the bottom of a half a ton of garbage, and just wanted to know if you had any information about it." And I said, "Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope under that garbage."

After speaking to Obie for about fourty-five minutes on the telephone we finally arrived at the truth of the matter and said that we had to go down and pick up the garbage, and also had to go down and speak to him at the police officer's station. So we got in the red VW microbus with the shovels and rakes and implements of destruction and headed on toward the police officer's station.

Now friends, there was only one or two things that Obie coulda done at the police station, and the first was he could have given us a medal for being so brave and honest on the telephone, which wasn't very likely, and we didn't expect it, and the other thing was he could have bawled us out and told us never to be see driving garbage around the vicinity again, which is what we expected, but when we got to the police officer's station there was a third possibility that we hadn't even counted upon, and we was both immediately arrested. Handcuffed. And I said "Obie, I don't think I can pick up the garbage with these handcuffs on." He said, "Shut up, kid. Get in the back of the patrol car."

And that's what we did, sat in the back of the patrol car and drove to the quote Scene of the Crime unquote. I want tell you about the town of Stockbridge, Massachusets, where this happened here, they got three stop signs, two police officers, and one police car, but when we got to the Scene of the Crime there was five police officers and three police cars, being the biggest crime of the last fifty years, and everybody wanted to get in the newspaper story about it. And they was using up all kinds of cop equipment that they had hanging around the police officer's station. They was taking plaster tire tracks, foot prints, dog smelling prints, and they took twenty seven eight-by-ten colour glossy photographs with circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us. Took pictures of the approach, the getaway, the northwest corner the southwest corner and that's not to mention the aerial photography.

After the ordeal, we went back to the jail. Obie said he was going to put us in the cell. Said, "Kid, I'm going to put you in the cell, I want your wallet and your belt." And I said, "Obie, I can understand you wanting my wallet so I don't have any money to spend in the cell, but what do you want my belt for?" And he said, "Kid, we don't want any hangings." I said, "Obie, did you think I was going to hang myself for littering?" Obie said he was making sure, and friends Obie was, cause he took out the toilet seat so I couldn't hit myself over the head and drown, and he took out the toilet paper so I couldn't bend the bars roll out the - roll the toilet paper out the window, slide down the roll and have an escape. Obie was making sure, and it was about four or five hours later that Alice (remember Alice? It's a song about Alice), Alice came by and with a few nasty words to Obie on the side, bailed us out of jail, and we went back to the church, had a another thanksgiving dinner that couldn't be beat, and didn't get up until the next morning, when we all had to go to court.

We walked in, sat down, Obie came in with the twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one, sat down. Man came in said, "All rise." We all stood up, and Obie stood up with the twenty seven eight-by-ten colour glossy
pictures, and the judge walked in sat down with a seeing eye dog, and he sat down, we sat down. Obie looked at the seeing eye dog, and then at the twenty seven eight-by-ten colour glossy ictures with circles and arrows and a paragraph on the back of each one, and looked at the seeing eye dog. And then at twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one and began to cry, 'cause Obie came to the realization that it was a typical case of American blind justice, and there wasn't nothing he could do about it, and the judge wasn't going to look at the twenty seven eight-by-ten colour glossy pictures with the circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us. And we was fined $50 and had to pick up the garbage in the snow, but thats not what I came to tell you about.

I came to talk about the draft.

They got a building down New York City, it's called Whitehall Street, where you walk in, you get injected, inspected, detected, infected, neglected and selected. I went down to get my physical examination one day, and I walked in, I sat down, got good and drunk the night before, so I looked and felt my best when I went in that morning. `Cause I wanted to look like the all-American kid from New York City, man I wanted, I wanted to feel like the all-, I wanted to be the all American kid from New York, and I walked in, sat down, I was hung down, brung down, hung up, and all kinds o' mean nasty ugly things. And I waked in and sat down and they gave
me a piece of paper, said, "Kid, see the phsychiatrist, room 604."

And I went up there, I said, "Shrink, I want to kill. I mean, I wanna, I wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill, KILL, KILL." And I started jumpin up and down yelling, "KILL, KILL," and he started jumpin up and down with me and we was both jumping up and down yelling, "KILL, KILL." And the sargent came over, pinned a medal on me, sent me down the hall, said, "You're our boy."

Didn't feel too good about it.

Proceeded on down the hall gettin more injections, inspections, detections, neglections and all kinds of stuff that they was doin' to me at the thing there, and I was there for two hours, three hours, four hours, I was there for a long time going through all kinds of mean nasty ugly things and I was just having a tough time there, and they was inspecting, injecting every single part of me, and they was leaving no part untouched. Proceeded through, and when I finally came to the see the last man, I walked in, walked in sat down after a whole big thing there, and I walked up and said, "What do you want?" He said, "Kid, we only got one question. Have you ever been arrested?"

And I proceeded to tell him the story of the Alice's Restaurant Massacre, with full orchestration and five part harmony and stuff like that and all the phenome... - and he stopped me right there and said, "Kid, did you ever go to court?"

And I proceeded to tell him the story of the twenty seven eight-by-ten colour glossy pictures with the circles and arrows and the paragraph on the back of each one, and he stopped me right there and said, "Kid, I want you to go and sit down on that bench that says Group W .... NOW kid!!"

And I, I walked over to the, to the bench there, and there is, Group W's where they put you if you may not be moral enough to join the army after committing your special crime, and there was all kinds of mean nasty ugly looking people on the bench there. Mother rapers. Father stabbers. Father rapers! Father rapers sitting right there on the bench next to me! And they was mean and nasty and ugly and horrible crime-type guys sitting on the bench next to me. And the meanest, ugliest, nastiest one, the meanest father raper of them all, was coming over to me and he was mean 'n' ugly 'n' nasty 'n' horrible and all kind of things and he sat down next to me and said, "Kid, whad'ya get?" I said, "I didn't get nothing, I had to pay $50 and pick up the garbage." He said, "What were you arrested for, kid?" And I said, "Littering." And they all moved away from me on the bench there, and the hairy eyeball and all kinds of mean nasty things, till I said, "And creating a nuisance." And they all came back, shook my hand, and we had a great time on the bench, talkin about crime, mother stabbing, father raping, all kinds of groovy things that we was talking about on the bench. And everything was fine, we was smoking cigarettes and all kinds of things, until the Sargeant came over, had some paper in his hand, held it up and said.

"Kids, this-piece-of-paper's-got-47-words-37-sentences-58-words-we-wanna- know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing- you-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting- officer's-name-and-any-other-kind-of-thing-you-gotta-say", and talked for forty-five minutes and nobody understood a word that he said, but we had fun filling out the forms and playing with the pencils on the bench there, and I filled out the massacre with the four part harmony, and wrote it down there, just like it was, and everything was fine and I put down the pencil, and I turned over the piece of paper, and there, there on the other side, in the middle of the other side, away from everything else on the other side, in parentheses, capital letters, quotated, read the following words:

("KID, HAVE YOU REHABILITATED YOURSELF?")

I went over to the sargent, said, "Sargeant, you got a lot a damn gall to ask me if I've rehabilitated myself, I mean, I mean, I mean that just, I'm sittin' here on the bench, I mean I'm sittin here on the Group W bench 'cause you want to know if I'm moral enough join the army, burn women, kids, houses and villages after bein' a litterbug." He looked at me and said, "Kid, we don't like your kind, and we're gonna send you fingerprints off to Washington."

And friends, somewhere in Washington enshrined in some little folder, is a study in black and white of my fingerprints. And the only reason I'm singing you this song now is cause you may know somebody in a similar situation, or you may be in a similar situation, and if your in a situation like that there's only one thing you can do and that's walk into the shrink wherever you are ,just walk in say "Shrink, You can get anything you want, at Alice's restaurant.". And walk out. You know, if one person, just one person does it they may think he's really sick and they won't take him. And if two people, two people do it, in harmony, they may think they're both faggots and they won't take either of them. And three people do it, three, can you imagine, three people walking in singin a bar of Alice's Restaurant and walking out. They may think it's an organization. And can you, can you imagine fifty people a day,I said fifty people a day walking in singin a bar of Alice's Restaurant and walking out. And friends they may thinks it's a movement.

And that's what it is , the Alice's Restaurant Anti-Massacre Movement, and all you got to do to join is sing it the next time it come's around on the guitar.

With feeling. So we'll wait for it to come around on the guitar, here and sing it when it does. Here it comes.

You can get anything you want, at Alice's Restaurant
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant

That was horrible. If you want to end war and stuff you got to sing loud. I've been singing this song now for twenty five minutes. I could sing it for another twenty five minutes. I'm not proud... or tired. So we'll wait till it comes around again, and this time with four part harmony and feeling. We're just waitin' for it to come around is what we're doing. All right now.

You can get anything you want, at Alice's Restaurant
Excepting Alice
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant

Da da da da da da da dum
At Alice's Restaurant

©1966,1967 (Renewed) by Appleseed Music Inc. All Rights Reserved.
---o0o---

The best Thanksgiving song ever: Arlo Guthrie's Alice's Restaurant. Happy Thanksgiving!

A Thanksgiving tradition for me is listening every year to Alice's Restaurant.  Thank you Arlo Guthrie!  And, Happy Thanksgiving, everyone.

In 1967, Arlo Guthrie wrote and recorded what has to be the greatest Thanksgiving song of all time. Or is it the only Thanksgiving song of all time?


Alice's Restaurant
By Arlo Guthrie

This song is called Alice's Restaurant, and it's about Alice, and the restaurant, but Alice's Restaurant is not the name of the restaurant, that's just the name of the song, and that's why I called the song Alice's Restaurant.

You can get anything you want at Alice's Restaurant
You can get anything you want at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want at Alice's Restaurant

Now it all started two Thanksgivings ago, was on - two years ago on Thanksgiving, when my friend and I went up to visit Alice at the restaurant, but Alice doesn't live in the restaurant, she lives in the church nearby the restaurant, in the bell-tower, with her husband Ray and Fasha the dog. And livin' in the bell tower like that, they got a lot of room downstairs where the pews used to be in. Havin' all that room, seein' as how they took out all the pews, they decided that they didn't have to take out their garbage for a long time.

We got up there, we found all the garbage in there, and we decided it'd be a friendly gesture for us to take the garbage down to the city dump. So we took the half a ton of garbage, put it in the back of a red VW microbus, took shovels and rakes and implements of destruction and headed
on toward the city dump.

Well we got there and there was a big sign and a chain across across the dump saying, "Closed on Thanksgiving." And we had never heard of a dump closed on Thanksgiving before, and with tears in our eyes we drove off into the sunset looking for another place to put the garbage.

We didn't find one. Until we came to a side road, and off the side of the side road there was another fifteen foot cliff and at the bottom of the cliff there was another pile of garbage. And we decided that one big pile is better than two little piles, and rather than bring that one up we decided to throw our's down.

That's what we did, and drove back to the church, had a thanksgiving dinner that couldn't be beat, went to sleep and didn't get up until the next morning, when we got a phone call from officer Obie. He said, "Kid, we found your name on an envelope at the bottom of a half a ton of garbage, and just wanted to know if you had any information about it." And I said, "Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope under that garbage."

After speaking to Obie for about fourty-five minutes on the telephone we finally arrived at the truth of the matter and said that we had to go down and pick up the garbage, and also had to go down and speak to him at the police officer's station. So we got in the red VW microbus with the shovels and rakes and implements of destruction and headed on toward the police officer's station.

Now friends, there was only one or two things that Obie coulda done at the police station, and the first was he could have given us a medal for being so brave and honest on the telephone, which wasn't very likely, and we didn't expect it, and the other thing was he could have bawled us out and told us never to be see driving garbage around the vicinity again, which is what we expected, but when we got to the police officer's station there was a third possibility that we hadn't even counted upon, and we was both immediately arrested. Handcuffed. And I said "Obie, I don't think I can pick up the garbage with these handcuffs on." He said, "Shut up, kid. Get in the back of the patrol car."

And that's what we did, sat in the back of the patrol car and drove to the quote Scene of the Crime unquote. I want tell you about the town of Stockbridge, Massachusets, where this happened here, they got three stop signs, two police officers, and one police car, but when we got to the Scene of the Crime there was five police officers and three police cars, being the biggest crime of the last fifty years, and everybody wanted to get in the newspaper story about it. And they was using up all kinds of cop equipment that they had hanging around the police officer's station. They was taking plaster tire tracks, foot prints, dog smelling prints, and they took twenty seven eight-by-ten colour glossy photographs with circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us. Took pictures of the approach, the getaway, the northwest corner the southwest corner and that's not to mention the aerial photography.

After the ordeal, we went back to the jail. Obie said he was going to put us in the cell. Said, "Kid, I'm going to put you in the cell, I want your wallet and your belt." And I said, "Obie, I can understand you wanting my wallet so I don't have any money to spend in the cell, but what do you want my belt for?" And he said, "Kid, we don't want any hangings." I said, "Obie, did you think I was going to hang myself for littering?" Obie said he was making sure, and friends Obie was, cause he took out the toilet seat so I couldn't hit myself over the head and drown, and he took out the toilet paper so I couldn't bend the bars roll out the - roll the toilet paper out the window, slide down the roll and have an escape. Obie was making sure, and it was about four or five hours later that Alice (remember Alice? It's a song about Alice), Alice came by and with a few nasty words to Obie on the side, bailed us out of jail, and we went back to the church, had a another thanksgiving dinner that couldn't be beat, and didn't get up until the next morning, when we all had to go to court.

We walked in, sat down, Obie came in with the twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one, sat down. Man came in said, "All rise." We all stood up, and Obie stood up with the twenty seven eight-by-ten colour glossy
pictures, and the judge walked in sat down with a seeing eye dog, and he sat down, we sat down. Obie looked at the seeing eye dog, and then at the twenty seven eight-by-ten colour glossy ictures with circles and arrows and a paragraph on the back of each one, and looked at the seeing eye dog. And then at twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one and began to cry, 'cause Obie came to the realization that it was a typical case of American blind justice, and there wasn't nothing he could do about it, and the judge wasn't going to look at the twenty seven eight-by-ten colour glossy pictures with the circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us. And we was fined $50 and had to pick up the garbage in the snow, but thats not what I came to tell you about.

I came to talk about the draft.

They got a building down New York City, it's called Whitehall Street, where you walk in, you get injected, inspected, detected, infected, neglected and selected. I went down to get my physical examination one day, and I walked in, I sat down, got good and drunk the night before, so I looked and felt my best when I went in that morning. `Cause I wanted to look like the all-American kid from New York City, man I wanted, I wanted to feel like the all-, I wanted to be the all American kid from New York, and I walked in, sat down, I was hung down, brung down, hung up, and all kinds o' mean nasty ugly things. And I waked in and sat down and they gave
me a piece of paper, said, "Kid, see the phsychiatrist, room 604."

And I went up there, I said, "Shrink, I want to kill. I mean, I wanna, I wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill, KILL, KILL." And I started jumpin up and down yelling, "KILL, KILL," and he started jumpin up and down with me and we was both jumping up and down yelling, "KILL, KILL." And the sargent came over, pinned a medal on me, sent me down the hall, said, "You're our boy."

Didn't feel too good about it.

Proceeded on down the hall gettin more injections, inspections, detections, neglections and all kinds of stuff that they was doin' to me at the thing there, and I was there for two hours, three hours, four hours, I was there for a long time going through all kinds of mean nasty ugly things and I was just having a tough time there, and they was inspecting, injecting every single part of me, and they was leaving no part untouched. Proceeded through, and when I finally came to the see the last man, I walked in, walked in sat down after a whole big thing there, and I walked up and said, "What do you want?" He said, "Kid, we only got one question. Have you ever been arrested?"

And I proceeded to tell him the story of the Alice's Restaurant Massacre, with full orchestration and five part harmony and stuff like that and all the phenome... - and he stopped me right there and said, "Kid, did you ever go to court?"

And I proceeded to tell him the story of the twenty seven eight-by-ten colour glossy pictures with the circles and arrows and the paragraph on the back of each one, and he stopped me right there and said, "Kid, I want you to go and sit down on that bench that says Group W .... NOW kid!!"

And I, I walked over to the, to the bench there, and there is, Group W's where they put you if you may not be moral enough to join the army after committing your special crime, and there was all kinds of mean nasty ugly looking people on the bench there. Mother rapers. Father stabbers. Father rapers! Father rapers sitting right there on the bench next to me! And they was mean and nasty and ugly and horrible crime-type guys sitting on the bench next to me. And the meanest, ugliest, nastiest one, the meanest father raper of them all, was coming over to me and he was mean 'n' ugly 'n' nasty 'n' horrible and all kind of things and he sat down next to me and said, "Kid, whad'ya get?" I said, "I didn't get nothing, I had to pay $50 and pick up the garbage." He said, "What were you arrested for, kid?" And I said, "Littering." And they all moved away from me on the bench there, and the hairy eyeball and all kinds of mean nasty things, till I said, "And creating a nuisance." And they all came back, shook my hand, and we had a great time on the bench, talkin about crime, mother stabbing, father raping, all kinds of groovy things that we was talking about on the bench. And everything was fine, we was smoking cigarettes and all kinds of things, until the Sargeant came over, had some paper in his hand, held it up and said.

"Kids, this-piece-of-paper's-got-47-words-37-sentences-58-words-we-wanna- know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing- you-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting- officer's-name-and-any-other-kind-of-thing-you-gotta-say", and talked for forty-five minutes and nobody understood a word that he said, but we had fun filling out the forms and playing with the pencils on the bench there, and I filled out the massacre with the four part harmony, and wrote it down there, just like it was, and everything was fine and I put down the pencil, and I turned over the piece of paper, and there, there on the other side, in the middle of the other side, away from everything else on the other side, in parentheses, capital letters, quotated, read the following words:

("KID, HAVE YOU REHABILITATED YOURSELF?")

I went over to the sargent, said, "Sargeant, you got a lot a damn gall to ask me if I've rehabilitated myself, I mean, I mean, I mean that just, I'm sittin' here on the bench, I mean I'm sittin here on the Group W bench 'cause you want to know if I'm moral enough join the army, burn women, kids, houses and villages after bein' a litterbug." He looked at me and said, "Kid, we don't like your kind, and we're gonna send you fingerprints off to Washington."

And friends, somewhere in Washington enshrined in some little folder, is a study in black and white of my fingerprints. And the only reason I'm singing you this song now is cause you may know somebody in a similar situation, or you may be in a similar situation, and if your in a situation like that there's only one thing you can do and that's walk into the shrink wherever you are ,just walk in say "Shrink, You can get anything you want, at Alice's restaurant.". And walk out. You know, if one person, just one person does it they may think he's really sick and they won't take him. And if two people, two people do it, in harmony, they may think they're both faggots and they won't take either of them. And three people do it, three, can you imagine, three people walking in singin a bar of Alice's Restaurant and walking out. They may think it's an organization. And can you, can you imagine fifty people a day,I said fifty people a day walking in singin a bar of Alice's Restaurant and walking out. And friends they may thinks it's a movement.

And that's what it is , the Alice's Restaurant Anti-Massacre Movement, and all you got to do to join is sing it the next time it come's around on the guitar.

With feeling. So we'll wait for it to come around on the guitar, here and sing it when it does. Here it comes.

You can get anything you want, at Alice's Restaurant
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant

That was horrible. If you want to end war and stuff you got to sing loud. I've been singing this song now for twenty five minutes. I could sing it for another twenty five minutes. I'm not proud... or tired. So we'll wait till it comes around again, and this time with four part harmony and feeling. We're just waitin' for it to come around is what we're doing. All right now.

You can get anything you want, at Alice's Restaurant
Excepting Alice
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant

Da da da da da da da dum
At Alice's Restaurant

©1966,1967 (Renewed) by Appleseed Music Inc. All Rights Reserved.
---o0o---

The Best Thanksgiving Song Of All Time - Arlo Guthrie's Alice's Restaurant

One Thanksgiving tradition for me is listening to Alice's Restaurant.  Happy Thanksgiving, everyone.  /jack

---o0o---

All This Is That Reheated: Woody Guthrie's transit and eclipse--"I been in the red all my life"

click Woody to enlarge

I have been listening to Woody Guthrie a lot lately, and thinking a lot about his monolithic influence on folk music, but especially on rock and roll. Along the same lines, I have been re-listening to the masterful Billy Bragg/Wilco collaborations on his music. Who would have ever thought a quirky Brit folkie and an alt country (and also quirky) American band would produce a fine tribute to Guthrie that also challenges the folk community? In any case, I wrote a long piece a couple of years ago about Woody, and I am reprinting it today...

I been in the red all my life

Woody Guthrie was a great man, and a great writer. Yeah, I didn't say great singer, but I like his singing. Any fool can get all Frenchified and rococo. It takes a genius to get simple. This genius fled Dust Bowl Oklahoma in the 30’s and became famous a few years later for his songs Dust Bowl Ballads. For most of the rest of his life he would be a roamer and a troubadour. He is one of the great American songwriters, right up there in the pantheon with Stephen Foster, Gershwin, Bob Dylan, Cole Porter, Johnny Mercer, Duke Ellington, Irving Berlin and others. He may be at the top of the rockpile. . .in my booklet, at least.

Woody Guthrie loved America as deeply as anyone ever has. He thrived on the people and the idiom. We remember him mainly for his songs, but he was also a wonderful writer. You may have heard his songs like So Long It’s Been Good To Know You, I Ain’t Got No Home In This World Anymore, Dust Can’t Kill Me, Union Maid, Reuben James, Planewreck At Los Gatos, and over a thousand more songs.

click to enlarge

He hit 46 of these United States, usually with just his guitar and a toothbrush. One of the songs inspired by a trip, This Land Is Your Land, should probably be the national anthem. Woody’s influence has been monolithic, although most of us have only experienced Woody absorbed and filtered through Bob Dylan, Ramblin' Jack Elliott, Phil Ochs, Allen Ginsberg, Joan Baez, or Wilco, among hundreds of others. His work has been passed down through cultural osmosis.

When the notorious House Unamerican Activities Committee (HUAC) began collecting names and driving the blacklisting, Woody was not afraid. He had nothing to hide, and the committee, like the dust, couldn’t kill him.

Some people considered The B.P.A. and the Grand Coulee Dam tributes to an "experiment in American socialism." These huge public works projects were "a revolutionary slap at the private enterprise system." Guthrie’s Columbia River songs reflect his optimism the dam would bring an increased standard of living to the people. One of Guthrie’s most famous songs, Pastures of Plenty, presents an idealist's vision of public irrigation and electrification:

I think of the dust and the days that are gone,
And the day that’s to come on a farm of our own;
One turn of the wheel and the waters will flow
‘Cross the green growing field, down the hot thirsty row.

Look down in the canyon and there you will see
The Grand Coulee shower her blessings on me;
The lights for the city for factory, and mill,
Green Pastures of Plenty from dry barren hills.

Woody was profoundly shocked by what happened to the poor Okies who left the Dust Bowl for California, by how they were killed, beaten and starved out by the State Police and farm owners. Something had gone very wrong with this great country. His song about Pretty Boy Floyd summed up his feelings:

Now as through this world I ramble
I’ve seen lots of funny men.
Some will rob you with a six-gun
And some with a fountain pen.
But as through this life you travel
And as through this life you roam,

You’ll never see an outlaw
Drive a family from its home.

Woody believed the Great Depression and dust bowl were caused by the Big Boss Man and King Coal. He wasn’t singing anymore about lost love; he was pointing fingers.

One night, on a radio show, he hit it on the head: "A policeman will just stand there and let a banker rob a farmer or a financier rob a working man. But if a farmer robs a banker, you would have a whole army of cops out shooting at him. Robbery is a chapter of etiquette.”

Woody Guthrie was a patriot, but he was no Democrat. As he said in that same radio broadcast: “I ain’t a communist necessarily, but I been in the red all my life.”

By 1947, Woody was working on his second marriage, to Marjorie. Between his travel and performances, he lived with her and his daughter Cathy Ann in Brooklyn. Woody nicknamed her Stackabones, and wrote his famous children’s songs for (and with) her:

Why can’t a dish break a hammer?
Why, or why, oh why?
Because a hammer’s
got a pretty hard head.
Goodbye goodbye goodbye.

Why can’t a bird
break an elephant?
Why, oh why, oh why?
Because an elephant’s got a
pretty hard skin.
Goodbye goodbye goodbye.

He published stories about Stackabones. Cathy Ann was very much like Woody, singing, rhyming, and always playing with words. One day her dress caught on fire and she was badly burned. She was singing when Woody got to the hospital, but she died that night.

Woody sat down and wrote: “And the things you fear most shall surely come upon you.” It seemed like everyone he ever loved was doomed to go up in flames. There were fires in his childhood. The brand new family house had burned down. His sister Nora died when her dress caught fire. Just she and her mother were at home. She was singing when Woody saw her in the hospital too. There were many rumors about her death. There were other fires. And there was his mother’s problem. After her daughter died, she became more and more nervous and remote until finally she spent all her days wandering through town like she was lost. No one knew what to do.

There was another fire. Woody’s mother was holding a kerosene lamp and when his father woke up, he was on fire.

When Woody came home the next day after a visit with relatives, a neighbor told him his father was in the hospital and his mother had been put in an insane asylum. In his wonderful book Bound For Glory, he compared his own restlessness and nervousness to his mother’s condition.

After the death of Stackabones, Woody lost his spark. He and Marjorie soon had other children (including Arlo), but he never took the same interest. He had become unpredictable. He still wrote hundreds of pages each week, and always had new songs in the works. But they weren’t like the old ones. He just couldn’t concentrate anymore.

A painting of Woody at the Columbia dam,
about which he wrote some of his greatest
songs

Marjorie forced him to move out when he attacked their son Arlo one day. Woody went into the hospital to cure himself of alcoholism, and a young doctor figured out his problem. He asked Woody questions about his parents and grandparents, and diagnosed him with Huntington’s Chorea, called chorea because of the violent dance-like movements of its victims (the root of the word choreography). Huntington’s Chorea is an inherited degenerative disease and a victim’s offspring stand a fifty-fifty chance of getting the disease. The course of the illness is long and savage.

The changes in Woody occurred so slowly that few of his friends really noticed. Almost everyone chalked it up to drink, or said “Well, that’s just Woody. That’s the way he walks and talks." Some people avoided him now. He slurred his words and staggered and was becoming less and less capable of working at all.


Bob Dylan's copy of Woody's Book
Bound For Glory

When Woody was trying to concentrate, he wrote his name everywhere. . .on walls, on people’s books, on pieces of paper. Woody Guthrie. Woody Guthrie. It was almost as if he was trying to convince himself he really DID exist.

One day he was lighting a fire and the gas can exploded. His arm could no longer hold a guitar very well.

Woody checked into the State Hospital in Queens, and with the exception of visits with friends on weekends, he lived there the rest of his life.

His son, the musician Arlo Guthrie talked about him to Rolling Stone magazine:

“I remember him coming home from the hospital and taking me out to the backyard, just him and me, and teaching me the last verses to This Land Is Your Land because he thinks if I don’t learn them no one will remember. He can barely strum a guitar now and—can you imagine?—his friends think he’s crazy or drunk and they stick him in a green room with all these crazy people…”

“All of a sudden everyone is singing his songs. Kids are singing This Land Is Your Land in school and people are talking about making it the national anthem. Bob Dylan and the others are copying him. And he can’t react to it. Here’s the guy who had all these words and now that he’s really big, he can’t say anything.”

Only Shakespeare could write something that terrible. Woodrow Wilson Guthrie died in 1967, in his fifties. Some experts believe the disease may have enhanced his rhyminess and wordplay, and acted as a creative spur like alcohol and drugs have worked on others.

As the cells died in his brain, it rewired itself, forcing new and wonderful pathways between the nerve synapses. This also led to the not-so-wonderful behavior his family and friends saw. Just like his mother. Starved from all that work, his nerves short-circuited.

Woody and the disease are so bound up together, it’s hard to know where it started and Woody began. No one really knows if the disease starts when you are 14, or in your later years. It cannot be cured. It cannot be predicted in advance. Research is ongoing now, mainly because of what happened to Woody.

Most importantly, of course, is not the disease, but his music and his books. When we sing his most famous song, we sing the first verses. The last verses he tried to teach Arlo are probably politically pink at best, and they were the ones Woody hoped would survive:

In the squares of the city by the shadow of the steeple,
Near the relief office I saw my people
And some were stumbling and some were wondering if
This land was made for you and me.

As I went rambling that dusty highway
I saw a sign that said Private Property
But on the other side it didn’t say nothing.
That side was made for you and me.

Some of the photographs and images of Woody are copyrighted and unlicensed. However, the individual who uploaded this work to Wikipedia, and first used it in an article, as well as subsequent persons who place it into articles, asserts that this use qualifies as fair use of the material under United States copyright law. All This Is That is using the photo under the Fair Use provisions of the copyright act as well, as those provisions apply to scholarly work.
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Originally posted in February, 2006