Click image to actually be able to read it...
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Sunday, September 18, 2005
Get Your War On's Take On The Hurricane Katrina Disaster
Get Your War On's take on the Hurricane Katrina aftermath:
Click image to actually be able to read it...
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Click image to actually be able to read it...
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Alien Lore No. 22::::::::The Run-up To Roswell And Area 51
--click image to enlarge--
On June 24, 1947, the first American UFO sighting occurred. And it occurred right here, in the northwest, not far from Seattle.
Kenneth Arnold was flying a search route in his single-engine plane on the way to Yakima, Washington. Since it as such a clear sky, Arnold put his plane in cruise control. He sat back and watched the beautiful scenery around him.
Suddenly--out of the corner of his eye--Arnold saw some bright flashes of light. He looked over and saw nine bright objects hovering about 9,500 feet above the ground. The objects were heading north to south at about 1,700 miles an hour.
The saucers were heading toward Mount Rainier, so at first Arnold thought they were search planes. As he kept watching, the objects starting going in between Mount Rainier and Mount Adams. This was a distance of 47 miles. Every few seconds the objects would change course, and as they turned, Arnold tried to see tails or wings; there were none. When he drew the objects later on, they looked sort of like boomerangs.
Kenneth Arnold landed and told some of his friends what had happened. Later he found himself surrounded by reporters. He told them that the motion of the strange objects was like that of skimming saucers. A reporter, named Bill Bequette, heard this and put the words "flying saucer" in his article about Arnold.
The next day there were headlines in papers all over the country about what Kenneth Arnold had seen. No one knew what the objects were, not even the United States government. The War Department was looking into what they were because they wanted ships that could travel as fast as these.
After Arnold's sighting, there were hundreds of reports of the strange flying disks every day. There was even one the same day. At the Cascade Mountains, a man named Fred Johnson reported 5 or 6 disks. They had a slight tail, were about thirty feet in diameter, and they reflected the sun when they turned. They weren't flying in any particular formation. As they flew by, Johnson's compass spun. This was the first report of any instrument being affected by the disks.
On June 25th, there were two major sightings. The first was made at Kansas City, Missouri. There were nine objects in loose formation. Another sighting was made by Lloyd Lowry in Pueblo, Colorado. There were two objects close together. It seemed as if one was chasing the other.
On the 26th, there were an incredible number of sightings from Utah, Arizona, Oklahoma, Texas, and New Mexico. There were sightings all over the south-west.
On the 27th, the reports started to change; they became more wide spread. Some came as far north as Canada and Michigan. The reports came from all over the world now.
It started to become a world-wide problem. No one knew what the objects were. Newspapers started to give explanations for what they thought the saucers were. Scientists thought that it was government research.
There are three main lines of speculation about just what had been seen. 1) The hexagon theory. The government was making hexagon shaped aircraft, and at high speeds, it gave the illusion of saucers. 2) They were remote-controlled rockets. 3) They were controlled by some hidden scientific group that was experimenting with different ways of travel.
Shortly thereafter, Roswell occurred and the era of UFOs, crop circles, abductions, cross-breeding, government conspiracies, and cattle mutilations had begun.
---o0o---
Saturday, September 17, 2005
All This Is That Is All That Again
Yesterday, I could no longer publish images on this blog. Old images disappeared and instead displayed the dreaded "403 Forbidden" message. Obviously, no imageswould require some sort of new approach.
I've always been amazed that blogger will take anything I throw at it...including multiple images a day and audio blogs.
Somehow, it has been fixed. I will probably hear from Blogger/blogspot sooner or later, telling me they fixed something, or that I am close to the wall on space. And I'll have to figure out what to do next.
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Friday, September 16, 2005
A Strange Notice
This is one of those pictures of indeterminate origin. Whether it's real or a put-on, it's pretty funny. Click the photograph to enlarge. . .---o0o---
Thursday, September 15, 2005
Senator Jerry Melin Speaks Out About 1979
This excerpt from the archives was taped on Christmas Day 1979, at 324 Atlantic Avenue, Apt. 2R, in Brooklyn. As it grew late, we began recording a pseudo-radio show, recapping the year's events, and the prognostications of the various parties "in the studio." I was the moderator, and winging it. . .I just said whatever popped into my head, and gave each of the people their roles. They then had to vamp for a few minutes. Naturally, Mel's contribution was priceless. Again, sorry for the quality...having to use the telephone puts some pretty serious limits on the fidelity. I will try to put up a couple more excerpts soon.
Present at this taping: Jerry Melin, Sean Curran, Keelin Curran, Jack, Nicholas Gattuccio, Colin Curran, and Kevin Curran.
I am putting this up to celebrate what would be Mel's 51st birthday. /jack
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Audio Blog: Jerry Melin & Jack Discuss Shakespeare & "Self-love" Late One Night In NYC
Of the dozens of hours of audio tape I recorded in NYC, only about half an hour seems to still exist, all fairly low-quality, and mostly group projects. I suspect there are cassettes rattling around in cardboard boxes somewhere out there...(if you have them, I'll copy them and send them back!).
I spent many late night hours with Jerry Melin, filling C-90 Cassette tapes with whatever gibberish popped into our heads. A few bits still exist, and I'll be posting them off and on. Between the marginal quality of the originals, and having to pump it into Blogspot via a telephone line (vs. uploading a WAV or MP3), it's a little rocky. . .but perhaps worth listening to. This is 49 seconds long, from 1980. I am putting it up today to celebrate what would have been Mel's 51st birthday. /jack
Wednesday, September 14, 2005
Word Verification On Blogs
In the last week, All This Is That has been getting hammered by spam in the comments. The only real fix for this is to turn on "word verification." This means that when you make a comment you will be required to type in a word you see on screen--this word is a bitmap, and not readable by bots and other automated spamming. This means that (for now!) it takes a human being to read the word and pass this step. Sorry for the inconvenience, but the spam is ridiculous. . .
See below for an example of a couple of spams deposited here today, and the fix...the word verification box. /jack
click to enlarge image
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See below for an example of a couple of spams deposited here today, and the fix...the word verification box. /jack
click to enlarge image
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More Shows I've Seen Over The Years
When I wrote last week about my favorite rock (and jazz) shows from The Beatles to The Bluebirds, I left out dozens, of course. I caught the most dramatic ones, but I missed quite a few. Here is the next batch. I'll probably put up another one in a week or so, as more cobwebs fall away. . .
First, three musical events that weren't actually shows...
Steve Griggs, Milo Petersen, Elvin Jones,
Jay Thomas, and Phil Sparks. Photo by Kate Kulzer.
Elvin Jones/the Steve Griggs Quintet) recording session, May, 1998, the suburban boondocks of Seattle.
Elvin Jones came to Seattle to record an album with four Seattle players: bandleader saxophonist Steve Griggs, bassist Phil Sparks, Jay Thomas on trumpet, and guitarist (and often, drummer) Milo Petersen. They recorded out at Bear Creek for two or three days. Milo, a friend since childhood, got me to skip work and come out to the sessions. I spent about five hours there, enthralled with watching this jazz great play. It was really something special. I think for everyone in the studio it was a Big Moment. This guy who played on Coltrane's greatest albums was so generous to these guys, and seemed to dig their music, and playing. Bear Creek was a fantastic, cozy, beautiful old studio, kind of out in the woods, north of Bothell, Wash. They have a beautiful old analog console. Two CDs came out of these sessions: Jones for Elvin, Vol. 1 and Vol. 2. You can get them on Amazon. Click here for a good article on this recording session. After the session, I got to eat dinner with the band and talk to Elvin. He gave me a hug when I left.
Gilda Radner album recording session. New York City, 1981. Our friend Cheryl was the music director, so we got to be part of the studio audience. We got to meet everyone (like Jane Curtin and Gilda). I can't remember who else was there or who the session players were. Bill Murray was our warm up. Before Gilda Radner would perform (and record) another song, Bill would come out to fluff us up for the performance. He was funny, and friendly. . .as he was every time I met him (two or three times, when I was with Cheryl. She also introduced us to all sorts of people, like the entire Saturday Night Live cast, Maxine Andrews, various cabaret figures, Bob Cranshaw, Lorna Luft, Divine, Buck Henry, Howard Shore, Lorne Michaels, and many more I am forgetting). Keelin was carrying a paper bag for some reason, and Bill Murray made a joke that she had stocked up on the buffet table.
Allen Ginsberg
Allen Ginsberg playing harmonium and chanting William Blake songs. WWU, Bellingham, Wash. 1976. Another meeting with a hero. He came to our classroom (a senior level poetry class) and for an hour or so sang and played harmonium to the Songs of Innocence and Experience by William Blake. He had appeared in all the books I had read by Kerouac, was a friend and lover of Neal Cassady, knew Kesey, helped William Burroughs assemble his Naked Lunch manuscript, and written some great poetry. This was an inspiring moment. I would meet him one more time. . .in New York City, at the Grassroots Bar on St. Mark's Place. Jerry Melin hailed him, and he came and talked to us, and gave Jerry a big kiss on the forehead. I have a tape somewhere of Jerry relating this story. . .
Dan Hicks And His Hot Licks, Seattle, Mid-70's and 2002 - I saw him twice. Once in the 70's (at Seward Park, with some local Seattle bands on the bill), and on August 31, 2002, at The Bumbershoot Festival. I love the old timey music, the violin, the chorus of women. Jerry Melin was the biggest fan I ever knew, and the last time I ever saw him, he played an obscure CD by them he had ordered from England...I'm An Old Cowhand, I Scare Myself, and Walking One And Only are some of my favorite songs. In the show at Bumbershoot, he was still the sly showman.
Lou Reed
Lou Reed, Memorial Stadium Seattle, Aug. 31, 2002. I was a big fan of Velvet Underground music, and a lot of Reed's . But this concert blew. It was a huge disappointment. The best part was when he read some poetry (the part that really put the rest of the audience off). Sometimes a legend just isn't so legendary...let sleeping dogs lie, and all those cliches. . .
George Harrison (with Billy Preston, Jim Keltner, Tom Scott and others), Seattle. Nov. 4, 1974. This was the tour around his Dark Horse album. Georges voice was famously hoarse on this album, and on this tour. But it was good to see him.
Ravi Shankar, Seattle, 1974. (Opened for his student George Harrison on the Dark Horse tour). Sitar and Tablas. . .good stuff.
Sky Cries Mary
Sweetwater
John Wesley Harding
The Posies
The Crash Test Dummies
Puyallup Fair, September 1995. What a great lineup! All except for the headliners, The Crash Test Dummies. Sky Cries Mary (now defunct) was great. The Posies got into playing some hair rock. This was Brian Young's first show as the The Posies new drummer. Eventually he left, of course, and became the drummer for Fountains of Wayne.
John Hammond - Bumbershoot, the 90's. Mellow, cool, blues guy.
The Roches, Bumbershoot, Seattle, 1995. I liked their humor and easy harmonies.
The Roches (With Brian Eno), New York City, 1980. We saw them, I believe, at The Bottom Line. This was pretty early in their career, and they were great. Doubly cool was Brian Eno, who sat in and played guitar for part of the show. It was great just to see him in person in a small club...
The Fastbacks. I've seen them several times. They are about the oldest Seattle band (I think 20 years together or something like that). Kim Warnick was married for a time to Ken Stringfellow of The Posies.
The Buddy and Julie Miller Band
Buddy and Julie Miller. Bumbershoot, Seattle, September 1, 2002. One of my favorite new (or "alt") country bands. Buddy is a phenomenal guitar player (and Emmylou Harris's guitar player) and writer, and Julie has a terrific voice and stage presence. I didn't go to their show that night at The Tractor which sounded like a lot of fun. They don't come on tour often enough!
Delbert McLinton. A Woodland Park Zoo show, Seattle, August 13, 2002. This was a snoozer show, made better only by The Buddy Miller Band that opened for him. Unfortunately Julie was not there.
Bela Fleck - Woodland Park Zoo, Seattle. 2003. Great show, lots of standout performances by the band. Bela, as always, was a pleasure.
Thad Jones-Mel Lewis Big Band, New York City, about 1980. The legendary big band played every Monday night at a club in the Village. We got to see them in some of their last years. I would get to see Thad's brother Elvin play twenty years later in the recording session mentioned above...
Ornette Coleman - Two times, in about 1978, at a loft around Cooper Square, NYC. Crazy stuff.
Carla Bley Big Band. Public Theatre. NYC, 1980. A hilarious show. It was so refreshing to see jazz with a little humor thrown in. . .jazz folks just take themselves a little too seriously.
Al Green -At the Paramount Theatre in Oakland, CA, mid-1980's. How could this not be great? He is one of the most innovative and moving R & B performers ever.
Mudhoney - at pain in the grass concert at the Horiuchi mural, Seattle, ('97). Legendary Seattle band. Nice show.
Presidents of The United States (2 times) , at Pain In The Grass, Seattle, early 2000s. This was at their peak. They played tuneful knucklehead/frat boy rock on a bassitar and a guitbass...instruments with two or three strings each.
Widespread Panic. Twice at Paramount Northwest. 1999 and election night, 2000. I liked their jams, and the guitar player who sat totally immobile, never moving an inch or looking up, hunched over the guitar with his hair in his eyes. He died a few years later, very young. They were a great jam band, with the same affliction many jam bands (like Phish) have: the singer can't sing. Jerry Garcia was like Pavarotti compared to most of these guys.
Andy Narrell. Steel drum player at The Great American Music Hall, San Francisco, about 1985. Even if his music appeared on Windham Hill, it was good. In later years his music has become more ethnic, incorporating more calypso and African elements.
Pat Metheny. Paramount Northwest, Seattle, about 1995. This was fun. I had been skeptical. He is a serious player. Like the Andy Narrell show, I went to this one with my friend from San Francisco David Grosten.
Eartha Kitt, 2003. Jazz Alley, Seattle. An inspiration, and like many people, I admired her for the way she stood up to LBJ at the White House (I wrote about that earlier here, with a great picture of LBJ staring her down... My friend Milo Petersen usually plays drums for her during her annual week in Seattle, at Jazz Alley. She's still a tease and has a sly, cabaret sort of sense of humor.
Stanley Turrentine. 1999. Jazz Alley, Seattle. An awful show. He was milking it.
Bob Weir, with Ratdog, at Bumbershoot, 2002. Like most Dead spinoffs, I liked seeing them but it never moved me in the way the real Grateful Dead did (and still do). Not even close.
The Other Ones. The Gorge, George, Washington. 200? See the comment above under Bob Weir.
The Dead (Grateful Dead minus Jerry Garcia with Joan Osborne, Jimmy Herring, Rob Barraco. The Gorge, George Washington, September 21, 2003. See the comment above under Bob Weir. Except this: Joan Osborne rocked! If they could have really incorporated her, they would have really had something. She was flirtatious, danced, and had fun, and of course, her voice is amazing.
Wynton Marsalis - I saw, him as mentioned previously, with Dizzy Gillespie. His brother Branford is much more to my liking, but Wynton is extremely talented.
The Minus Five Seattle, saw them twice around 2000. (Ken Stringfellow of The Posies, Scott McCaughey of Young Fresh Fellows, Peter Buck of REM, and various others).
Young Fresh Fellows - 1996?, Seattle Center, Horiuchi Mural. Longtime Seattle band. I like them but admit to never having bought a CD...
Paul Revere and The Raiders - I saw them once in their prime at a "Teen Fair," and once in about 2000, as a dreadful nostalgia act.
Son Volt - Bumbershoot 2005. Shoegazing alt-country...sort of. I thought their reputation was better than their performance.
Mavis Staples - Bumbershoot, Seattle, 2005. A fun show. You could tell how important it was to her to preserve the memory of the Staples, and Pop Staples in particular.
Etta James - I have seen her twice at Bumbershoot, both times in the mid-90's.
Maria Manville - A very odd cabaret singer in NYC. She was like a pet project of our friends Cheryl and Pinky.
Oscar Peterson - I was lucky enough to see in around 1983. Unfortunately, I remember little of the piano legend's show. . .well, I'm pretty sure he played piano...
Emily Remmler - Great guitar player. We saw her at a Jazz festival a year or so before her death (a heroin OD, I think). Sometime in the 80's.
George Cables - I can't remember much about his show either. He is an L.A.-based pianist.
Supersax - An ensemble of sax players that played only Bird songs. It was a strange sound, but I liked it a lot...We saw them at the Port Townsend Jazz Festival
Ray Brown - Legendary bass player. This was late in his career, but he could swing.
Taj Mahal - I saw him once at a rock festival, and once at Jazz Alley in about 2001.
---o0o---
First, three musical events that weren't actually shows...
Steve Griggs, Milo Petersen, Elvin Jones,
Jay Thomas, and Phil Sparks. Photo by Kate Kulzer.
Elvin Jones/the Steve Griggs Quintet) recording session, May, 1998, the suburban boondocks of Seattle.
Elvin Jones came to Seattle to record an album with four Seattle players: bandleader saxophonist Steve Griggs, bassist Phil Sparks, Jay Thomas on trumpet, and guitarist (and often, drummer) Milo Petersen. They recorded out at Bear Creek for two or three days. Milo, a friend since childhood, got me to skip work and come out to the sessions. I spent about five hours there, enthralled with watching this jazz great play. It was really something special. I think for everyone in the studio it was a Big Moment. This guy who played on Coltrane's greatest albums was so generous to these guys, and seemed to dig their music, and playing. Bear Creek was a fantastic, cozy, beautiful old studio, kind of out in the woods, north of Bothell, Wash. They have a beautiful old analog console. Two CDs came out of these sessions: Jones for Elvin, Vol. 1 and Vol. 2. You can get them on Amazon. Click here for a good article on this recording session. After the session, I got to eat dinner with the band and talk to Elvin. He gave me a hug when I left.
Gilda Radner album recording session. New York City, 1981. Our friend Cheryl was the music director, so we got to be part of the studio audience. We got to meet everyone (like Jane Curtin and Gilda). I can't remember who else was there or who the session players were. Bill Murray was our warm up. Before Gilda Radner would perform (and record) another song, Bill would come out to fluff us up for the performance. He was funny, and friendly. . .as he was every time I met him (two or three times, when I was with Cheryl. She also introduced us to all sorts of people, like the entire Saturday Night Live cast, Maxine Andrews, various cabaret figures, Bob Cranshaw, Lorna Luft, Divine, Buck Henry, Howard Shore, Lorne Michaels, and many more I am forgetting). Keelin was carrying a paper bag for some reason, and Bill Murray made a joke that she had stocked up on the buffet table.
Allen Ginsberg
Allen Ginsberg playing harmonium and chanting William Blake songs. WWU, Bellingham, Wash. 1976. Another meeting with a hero. He came to our classroom (a senior level poetry class) and for an hour or so sang and played harmonium to the Songs of Innocence and Experience by William Blake. He had appeared in all the books I had read by Kerouac, was a friend and lover of Neal Cassady, knew Kesey, helped William Burroughs assemble his Naked Lunch manuscript, and written some great poetry. This was an inspiring moment. I would meet him one more time. . .in New York City, at the Grassroots Bar on St. Mark's Place. Jerry Melin hailed him, and he came and talked to us, and gave Jerry a big kiss on the forehead. I have a tape somewhere of Jerry relating this story. . .
Dan Hicks And His Hot Licks, Seattle, Mid-70's and 2002 - I saw him twice. Once in the 70's (at Seward Park, with some local Seattle bands on the bill), and on August 31, 2002, at The Bumbershoot Festival. I love the old timey music, the violin, the chorus of women. Jerry Melin was the biggest fan I ever knew, and the last time I ever saw him, he played an obscure CD by them he had ordered from England...I'm An Old Cowhand, I Scare Myself, and Walking One And Only are some of my favorite songs. In the show at Bumbershoot, he was still the sly showman.
Lou Reed
Lou Reed, Memorial Stadium Seattle, Aug. 31, 2002. I was a big fan of Velvet Underground music, and a lot of Reed's . But this concert blew. It was a huge disappointment. The best part was when he read some poetry (the part that really put the rest of the audience off). Sometimes a legend just isn't so legendary...let sleeping dogs lie, and all those cliches. . .
George Harrison (with Billy Preston, Jim Keltner, Tom Scott and others), Seattle. Nov. 4, 1974. This was the tour around his Dark Horse album. Georges voice was famously hoarse on this album, and on this tour. But it was good to see him.
Ravi Shankar, Seattle, 1974. (Opened for his student George Harrison on the Dark Horse tour). Sitar and Tablas. . .good stuff.
Sky Cries Mary
Sweetwater
John Wesley Harding
The Posies
The Crash Test Dummies
Puyallup Fair, September 1995. What a great lineup! All except for the headliners, The Crash Test Dummies. Sky Cries Mary (now defunct) was great. The Posies got into playing some hair rock. This was Brian Young's first show as the The Posies new drummer. Eventually he left, of course, and became the drummer for Fountains of Wayne.
John Hammond - Bumbershoot, the 90's. Mellow, cool, blues guy.
The Roches, Bumbershoot, Seattle, 1995. I liked their humor and easy harmonies.
The Roches (With Brian Eno), New York City, 1980. We saw them, I believe, at The Bottom Line. This was pretty early in their career, and they were great. Doubly cool was Brian Eno, who sat in and played guitar for part of the show. It was great just to see him in person in a small club...
The Fastbacks. I've seen them several times. They are about the oldest Seattle band (I think 20 years together or something like that). Kim Warnick was married for a time to Ken Stringfellow of The Posies.
The Buddy and Julie Miller Band
Buddy and Julie Miller. Bumbershoot, Seattle, September 1, 2002. One of my favorite new (or "alt") country bands. Buddy is a phenomenal guitar player (and Emmylou Harris's guitar player) and writer, and Julie has a terrific voice and stage presence. I didn't go to their show that night at The Tractor which sounded like a lot of fun. They don't come on tour often enough!
Delbert McLinton. A Woodland Park Zoo show, Seattle, August 13, 2002. This was a snoozer show, made better only by The Buddy Miller Band that opened for him. Unfortunately Julie was not there.
Bela Fleck - Woodland Park Zoo, Seattle. 2003. Great show, lots of standout performances by the band. Bela, as always, was a pleasure.
Thad Jones-Mel Lewis Big Band, New York City, about 1980. The legendary big band played every Monday night at a club in the Village. We got to see them in some of their last years. I would get to see Thad's brother Elvin play twenty years later in the recording session mentioned above...
Ornette Coleman - Two times, in about 1978, at a loft around Cooper Square, NYC. Crazy stuff.
Carla Bley Big Band. Public Theatre. NYC, 1980. A hilarious show. It was so refreshing to see jazz with a little humor thrown in. . .jazz folks just take themselves a little too seriously.
Al Green -At the Paramount Theatre in Oakland, CA, mid-1980's. How could this not be great? He is one of the most innovative and moving R & B performers ever.
Mudhoney - at pain in the grass concert at the Horiuchi mural, Seattle, ('97). Legendary Seattle band. Nice show.
Presidents of The United States (2 times) , at Pain In The Grass, Seattle, early 2000s. This was at their peak. They played tuneful knucklehead/frat boy rock on a bassitar and a guitbass...instruments with two or three strings each.
Widespread Panic. Twice at Paramount Northwest. 1999 and election night, 2000. I liked their jams, and the guitar player who sat totally immobile, never moving an inch or looking up, hunched over the guitar with his hair in his eyes. He died a few years later, very young. They were a great jam band, with the same affliction many jam bands (like Phish) have: the singer can't sing. Jerry Garcia was like Pavarotti compared to most of these guys.
Andy Narrell. Steel drum player at The Great American Music Hall, San Francisco, about 1985. Even if his music appeared on Windham Hill, it was good. In later years his music has become more ethnic, incorporating more calypso and African elements.
Pat Metheny. Paramount Northwest, Seattle, about 1995. This was fun. I had been skeptical. He is a serious player. Like the Andy Narrell show, I went to this one with my friend from San Francisco David Grosten.
Eartha Kitt, 2003. Jazz Alley, Seattle. An inspiration, and like many people, I admired her for the way she stood up to LBJ at the White House (I wrote about that earlier here, with a great picture of LBJ staring her down... My friend Milo Petersen usually plays drums for her during her annual week in Seattle, at Jazz Alley. She's still a tease and has a sly, cabaret sort of sense of humor.
Stanley Turrentine. 1999. Jazz Alley, Seattle. An awful show. He was milking it.
Bob Weir, with Ratdog, at Bumbershoot, 2002. Like most Dead spinoffs, I liked seeing them but it never moved me in the way the real Grateful Dead did (and still do). Not even close.
The Other Ones. The Gorge, George, Washington. 200? See the comment above under Bob Weir.
The Dead (Grateful Dead minus Jerry Garcia with Joan Osborne, Jimmy Herring, Rob Barraco. The Gorge, George Washington, September 21, 2003. See the comment above under Bob Weir. Except this: Joan Osborne rocked! If they could have really incorporated her, they would have really had something. She was flirtatious, danced, and had fun, and of course, her voice is amazing.
Wynton Marsalis - I saw, him as mentioned previously, with Dizzy Gillespie. His brother Branford is much more to my liking, but Wynton is extremely talented.
The Minus Five Seattle, saw them twice around 2000. (Ken Stringfellow of The Posies, Scott McCaughey of Young Fresh Fellows, Peter Buck of REM, and various others).
Young Fresh Fellows - 1996?, Seattle Center, Horiuchi Mural. Longtime Seattle band. I like them but admit to never having bought a CD...
Paul Revere and The Raiders - I saw them once in their prime at a "Teen Fair," and once in about 2000, as a dreadful nostalgia act.
Son Volt - Bumbershoot 2005. Shoegazing alt-country...sort of. I thought their reputation was better than their performance.
Mavis Staples - Bumbershoot, Seattle, 2005. A fun show. You could tell how important it was to her to preserve the memory of the Staples, and Pop Staples in particular.
Etta James - I have seen her twice at Bumbershoot, both times in the mid-90's.
Maria Manville - A very odd cabaret singer in NYC. She was like a pet project of our friends Cheryl and Pinky.
Oscar Peterson - I was lucky enough to see in around 1983. Unfortunately, I remember little of the piano legend's show. . .well, I'm pretty sure he played piano...
Emily Remmler - Great guitar player. We saw her at a Jazz festival a year or so before her death (a heroin OD, I think). Sometime in the 80's.
George Cables - I can't remember much about his show either. He is an L.A.-based pianist.
Supersax - An ensemble of sax players that played only Bird songs. It was a strange sound, but I liked it a lot...We saw them at the Port Townsend Jazz Festival
Ray Brown - Legendary bass player. This was late in his career, but he could swing.
Taj Mahal - I saw him once at a rock festival, and once at Jazz Alley in about 2001.
---o0o---
Tuesday, September 13, 2005
It Won't Last Long, I Suspect. . .
A fine Google prank.Enter the word "failure" as a G.I.S. and look at the results. This was still working at 4:00 p.m. Pacific Daylight Time, September 13, 2005. It brings up George Bush's official biography, as does the phrase "miserable failure," or, at least it used to.
Google actually has nothing to do with it [1]other than taking no action against the Google bombing. The New York Times quotes Google: "Craig Silverstein, Google's director for technology, says the company sees nothing wrong with the public using its search engine this way. No user is hurt, he said, because there is no clearly legitimate site for "miserable failure" being pushed aside.
[1] Snopes.com tell us "How did this come about, especially since the phrase "miserable failure" appears nowhere in the President's biography? It was the result of a "Google bombing" project organized by George Johnston back at the end of October 2003, in which he used his blog to urge others to include links connecting the phrase "miserable failure" (a term used prominently by Democratic hopeful Dick Gephardt) with the President's biography in their own web sites and blogs:
Let's get everyone to link to http://www.whitehouse.gov/president/gwbbio.html with the words "Miserable Failure." Our goal is to make Shrubya the top google pick. It's fun, it's easy just Miserable Failure in your favorite web page will look like Miserable Failure
According to Mr. Johnston's progress report, by the last week of November 2003 the Bush biography was the #2 result on Google for "miserable failure," and — after more and more netizens implemented the same link on their sites and urged others to do the same — it reached the top spot soon afterward. (A #1 ranking at Google brings the added bonus of returning the targeted site when users select the search engine's "I'm Feeling Lucky" button.) "
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