ABC News' Rick Klein Reports: "Former Sen. John Edwards on Friday fired the latest round in his ongoing verbal feud with Ann Coulter, calling her a "she-devil" at a public event before quickly adding that he shouldn't engage in name-calling.
Democratic Presidential Candidate Edwards was 0n a rant against the right-wing media and reminded a crowd in Burlington, Iowa, that his wife called Coulter out earlier this summer.
"We know these people. We know their game plan. They're going to attack us personally," former Senator Edwards said. "They attacked Elizabeth personally, because she stood up to that she-devil Ann Coulter. … I should not have name-called. But the truth is -- forget the names -- people like Ann Coulter, they engage in hateful language."
In June, on ABC's Good Morning America, Coulter said she had learned her lesson after being attacked and villified for suggesting that Edwards was a "faggot." "If I'm gonna say anything about John Edwards in the future, I'll just wish he had been killed in a terrorist assassination plot," Coulter said.
Edwards' wife, Elizabeth, later called in to call in to Chris Matthew's Hardball and challenged Coulter directly. "I want to use the opportunity … to ask her politely to stop the personal attacks," Mrs. Edwards said. Coulter was flummoxed and did a few Jackie Gleason-style homina hominas before sputtering out altogether. . .
Some recent Ann Coulter posts on All This Is That:"
A live version of VU's Sweet Jane, from the 1993 tour. The best part of this vid?: Mo Tucker and her primeval./knucklehead/genius drumming. . .
Sweet Jane
Standing on the corner, Suitcase in my hand Jack is in his corset, and jane is her vest, And me Im in a rocknroll band hah! Ridin in a stutz bear cat, jim You know, those were different times! Oh, all the poets they studied rules of verse And those ladies, they rolled their eyes
Ill tell you something Jack, he is a banker And jane, she is a clerk Both of them save their monies, ha And when, when they come home from work Oh, sittin down by the fire, oh! The radio does play The classical music there, jim The march of the wooden soldiers All you protest kids You can hear jack say, get ready, ah
Sweet jane! come on baby! sweet jane! oh-oh-a! sweet jane!
Some people, they like to go out dancing And other peoples, they have to work, just watch me now! And theres even some evil mothers Well theyre gonna tell you that everything is just dirt Yknow that, women, never really faint And that villains always blink their eyes, woo! And that, yknow, children are the only ones who blush! And that, life is just to die! And, everyone who ever had a heart They wouldnt turn around and break it And anyone who ever played a part Oh wouldnt turn around and hate it!
Sweet jane! whoa-oh-oh! sweet jane! sweet jane!
Heavenly wine and roses Seems to whisper to her when he smiles Heavenly wine and roses Seems to whisper to her when she smiles La lala lala la, la lala lala la Sweet jane Sweet jane Sweet jane ---o0o---
This is a fan video - but a decent one. The Doors perform their studio version of L.A. Woman. This is from their last album, when most people feel like Morrison had blown out his voice. It is a late, great, and final flowering of the band. Jim would shortly move to Paris and die. And the Doors would spend the next 30 years attempting to reanimate the corpse. You may already know this, but Mr. Mojo Risin' from the chorus is an anagram for Jim Morrison.
L.A.Woman by The Doors
Well, I just got into town about an hour ago Took a look around, see which way the wind blow Where the little girls in their hollywood bungalows Are you a lucky little lady in the city of light Or just another lost angel...city of night City of night, city of night, city of night, woo, cmon L.a. woman, l.a. woman L.a. woman sunday afternoon x3 Drive through your suburbs Into your blues, into your blues, yeah Into your blue-blue blues Into your blues, ohh, yeah I see your hair is burnin Hills are filled with fire If they say I never loved you You know they are a liar Drivin down your freeways Midnight alleys roam Cops in cars, the topless bars Never saw a woman... So alone, so alone x2 Motel money murder madness Lets change the mood from glad to sadness Mr. mojo risin, mr. mojo risin x2 Got to keep on risin Mr. mojo risin, mr. mojo risin Mojo risin, gotta mojo risin Mr. mojo risin, gotta keep on risin Risin, risin Gone risin, risin Im gone risin, risin I gotta risin, risin Well, risin, risin I gotta, wooo, yeah, risin Woah, ohh yeah Well, I just got into town about an hour ago Took a look around, see which way the wind blow Where the little girls in their hollywood bungalows Are you a lucky little lady in the city of light Or just another lost angel...city of night City of night, city of night, city of night, woah, cmon L.a. woman, l.a. woman, l.a. woman, your my woman Little l.a. woman, little l.a. woman L.a. l.a. woman woman, l.a. woman cmon
My son Del pointed this video out to me last night, hoping I wasn't quite as creepy a boss as the one on the vid. This is very funny stuff, and hey seem to have dozens more on You Tube...
And we are all, in fact, The Walrus. At this juncture in rock music history, everyone was influencing everyone. It gets pretty circuitous here. . .not all that long before this, Bob Dylan hooked up with The Beatles in London and introduced them to marijuana. But more importantly, he influenced John Lennon with his new work. He was no longer a folkie, but a singer-songwriter creating imagistic, and often, surrealistic, and even Da-da-istic lyrics, densely packed with images, allusions, humor, and callbacks to other musics, past and present.
I am in the minority, preferring The Beatles Magical Mystery Tour over their 8th album, Sergeant Pepper's Lonely Hearts Club Band. I'm not denying the massive critical and popular acclaim the album achieved. It was innovative, from its structure to the recording techniques to the fantastic cover collage covering a broad range of pop culture heroes and villains. Sgt. Pepper's influence was massive and almost monolithic, and it actually changed the way other musicians did business.
One of the inspirations for Sergeant Pepper was The Beach Boys' masterpiece Pet Sounds. Interestingly, Pet Sounds was inspired by an earlier Beatles' album, Rubber Soul. When Wilson heard that album, he launched into making an album that cohered the same way as Rubber Soul.
Brian Wilson said about Rubber Soul:"I really wasn't quite ready for the unity. It felt like it all belonged together. Rubber Soul was a collection of songs ... that somehow went together like no album ever made before, and I was very impressed. I said, "That's it. I really am challenged to do a great album."
When McCartney and Lennon heard Pet Sounds, they were stunned. Paul McCartney said: “ It was Pet Sounds that blew me out of the water. I love the album so much. I've just bought my kids each a copy of it for their education in life ... I figure no one is educated musically 'til they've heard that album ... I love the orchestra, the arrangements ... it may be going overboard to say it's the classic of the century ... but to me, it certainly is a total, classic record that is unbeatable in many ways ... I've often played Pet Sounds and cried. I played it to John [Lennon] so much that it would be difficult for him to escape the influence ... it was the record of the time. The thing that really made me sit up and take notice was the bass lines ... and also, putting melodies in the bass line. That I think was probably the big influence that set me thinking when we recorded Pepper, it set me off on a period I had then for a couple of years of nearly always writing quite melodic bass lines. "God Only Knows" is a big favourite of mine ... very emotional, always a bit of a choker for me, that one. On "You Still Believe in Me", I love that melody - that kills me ... that's my favourite, I think ... it's so beautiful right at the end ... comes surging back in these multi-coloured harmonies ... sends shivers up my spine. ” Eric Clapton said that "I consider Pet Sounds to be one of the greatest pop LPs to ever be released. It encompasses everything that's ever knocked me out and rolled it all into one."
Elton John thinks that "Pet Sounds is a landmark album. For me to say that I was enthralled would be an understatement. I had never heard such magical sounds, so amazingly recorded. It undoubtedly changed the way that I, and countless others, approached recording. It is a timeless and amazing recording of incredible genius and beauty."
Beatles producer George Martin said that that "Without Pet Sounds, Sgt. Pepper wouldn't have happened... Pepper was an attempt to equal Pet Sounds." After Sgt. Pepper was released, Wilson was so despondent that he went to bed for months. Uh no, he went to bed for years. But that's a story for another day.
Once again, I have taken an ostensibly simple subject--a video of The Beatles I Am The Walrus--and turned it into a bramble of shredded wheat. This is an example of music influencing music influencing more music. Nonetheless, as great as Sgt. Pepper is, I happen to like the follow on album more, while in no way detracting from Sgt. Pepper's monolithic and lasting influence (likewise for Pet Sounds).
The Walrus by John Lennon and Paul McCartney
I am he as you are he as you are me and we are all together. See how they run like pigs from a gun, see how they fly. I'm crying.
Sitting on a cornflake, waiting for the van to come. Corporation tee-shirt, stupid bloody Tuesday. MAN, you been a naughty boy, and let your face grow long. I am the eggman, they are the eggmen, I am the walrus, coo coo c'choo
Mister City P'liceman sitting Pretty little policemen in a row. See how they fly like Lucy in the Sky, see how they run. I'm crying. I'm cry------------ing, I'm crying. I'm cry------------ing.
Yellow matter custard, dripping from a dead dog's eye. Crabalocker fishwife, pornographic priestess, Boy, you been a naughty girl and let your Knickers down. I am the eggman, they are the eggmen, I am the walrus, coo coo c'choo
Sitting in an English garden waiting for the sun. If the sun don't come, you get a tan From standing in the English rain. I am the eggman, they are the eggmen, I am the walrus, coo coo c'choo coo coo c'choo
Expert texpert choking smokers, Don't you think the joker laughs at you? (ho ho ho, he, he he, ha, ha, ha) See how they smile like pigs in a sty, see how they snide. I'm crying.
Semolina Pilchard, climbing up the Eiffel Tower. Elementary penguin singing Hare Krishna. Man, you should have seen them kicking Edgar Allan Poe. I am the eggman, they are the eggmen, I am the walrus, coo coo c'choo, coo coo coo c'choo, coo coo c'choo, c'choo coo c'choo c'choo (rhythmical speaking along with juba's). Juba juba juba, juba, juba, juba, juba, juba, juba juba. Juba juba..... (speaking)
--Repeat (eventually juba's will stop) and fade until end.-- during the fade out background vocals: [Simultaneously:] 'Everybody smokes pot' and 'Oompa, oompa, stick it up your joompa' [jumper] ---o0o--- \
Is it real, or from a Halo 3 commercial, or composed in VUE 6? This video was allegedly shot August 6, 2007. It seems to be controversial, but then isn't every video we've ever seen of a UFO or a grey? And really, as Ken Kesey once wrote "it's all true, whether it happened or not."
1) All images not specifically licensed by All This Is That are employed to illustrate essays and news articles, poems, and works of fiction and satire. These images are used for informational or educational purposes only.
2) The image is low resolution; if the image is high resolution, it is a) clearly in the public domain, b) licensed to All This Is That by Creative Commons, or another such organization; or c) is the only available image to use as an illustration--e.g., there are no free or licenseable images available; in which case, we generally reduce the resolution to the extent it is not suitable for commercial uses.
3) The use of these images will not impinge the ability of the copyright holder to rake in the sheckels, dollars and piastres from their original work.
The Wikipedia's has far more stringent requirements for claiming fair use than All This Is That:
A well-written use rationale must explain how the use of this media meets the Non-free content criteria and should state:
What proportion of the copyrighted work is used and to what degree does it compete with the copyright holder's usage? For example, if the image is a photograph or logo, the entire work is likely being used. A screenshot that reveals the most important discovery of a documentary or the ending of a movie, for example, though a very small portion of the work, may disproportionately compete with the copyright holder's use. In the case of a music sample, the length should be no longer than 10 percent of the song's original length or 30 seconds, whichever is shorter. If applicable, has the resolution been reduced from the original? In the case of music samples, has the quality been reduced from the original?
What purpose does the image serve in the article?
Is the image a logo, photograph, or box art for the main subject of the article?
Is the image being used as the primary means of visual identification of the subject or topic? (e.g., a corporate logo or the box art of a DVD)
Is it being used to illustrate a particular topic? (e.g., a screenshot from a movie)
To what degree is the image replaceable by a free content image?
If the image is a screenshot of a movie that for an article about the movie, or a corporate logo, there is obviously no such thing as a "free" version of it - all of the resources in the world could not produce one. If, on the other hand, the image is a photograph, the image is more easily replaced, even if Wikipedians may lack the resources to create a replacement.
Any other information necessary to assist others in determining whether the use of this image qualifies for fair use. ---o0o---
The former Commies are getting a day off to procreate, and win prizes while they're, literally, doing it. For the third year in a row, the Russian region Ulyanovsk is once again celebrating Sept. 12 as the Day of Conception, and is giving couples time off from work to procreate.
The state hopes for a population explosion next June, on Russia's national day. Couples who "give birth to a patriot" during the June 12 festivities win will money, cars, refrigerators and other prizes.
The number of competitors, and the number of babies they produce, has been on the rise since Ulyanovsk began the holiday and prizes. Russia, has one-seventh of the entire earth's land surface, but only 141.4 million citizens. . .and the population has been declining since the 1990s.
President Vladimir Putin's last state of the state address called the demographic crisis the most acute problem facing Russia and announced various efforts to jump start Russia's birth rate, including cash giveaways.
The Governor of Ulyanovsk, Sergei Morozov, tossed a few more incentives into the kitty for the campaign by handing our prizes. The 2007 grand prize went to Irina and Andrei Kartuzov, who won a UAZ-Patriot, a sport utility vehicle. They also gave away video cams, TVs, refrigerators and washing machines.
Joe Jackson was often in my music mix in the early 80's. I remember him putting on a great show at Woolman Rink in Central Park in about 1979 or '80. One of the things I like about Joe is how girl-centric these tunes are. . .for a gay singer-songwriter.