Sunday, December 02, 2007

Notes on lying

By Jack Brummet
Social Mores Editor


I've read a couple of books on the psychology of lying.  I didn't retain a lot, but. . .in general, liars don't gesticulate.  They avoid eye contact and excessive arm and hand movements; they mostly keep their limbs close to their bodies.  Liars often touch their face, throat and mouth, or scratch their noses, or behind their ear.  The timing of their emotes is skewed, you know, just off a normal pace. . .their rhythm plods.

Liars are often like a stranger in a strange place--their emotions are delayed, and stretch out, or stop suddenly in mid-laugh or mid-sentence.  Their gestures and words do not quite sync, or even make sense.  A liar might frown saying "I love you," or smile at your bereavement.

A liar will often focus their efforts on the mouth instead of the whole face.  Only the mouth expresses
emotion and their eyes might just stare back at you in a cold reptilian glare.

They are on guard-- interactions and reactions, move and countermove.  They are always alert to painting themselves into a corner. 
The guilty person is usually defensive, while the innocent will often go on the attack, rightfully pissed off.

A liar and may turn his head or body away from The Questioner (or mark, or dupe); he or she may  unconsciously place objects (a book, a briefcase, a coffee cup) between themselves and you as a little psychological shield. 

If you ask a liar “Did you eat the last cookie?” they will answer, “No, I did not eat the last cookie.”  As we all know by now, “ I didn't do it” instead of “I did not do it” tends to be truthful.  A couple of famous examples are President Bill Clinton: "I did not have sexual relations with that woman," or President Richard Milhous Nixon: "I am not a crook."

Liars often avoid the direct by implying answers instead of denying or confirming something directly.
A guilty person may speak more than natural, and add in unnecessary details just to close the deal, and help to convince you; they are often not comfortable with lacuna, or pauses, in the conversation.

A liar may leave out pronouns and speak in a monotonous tone. When a truthful statement is made the pronoun is emphasized as much or more than the rest of the words in a statement, and their sentences are far more likely be muddled than emphasized.

If you believe someone is lying, do a complete u-turn in conversation.  The liar comes along with you and relaxes, happy the conversation has veered away.  The liar wants the subject changed while the innocent person is confused by the sudden change in topics and wants to go back to the previous subject.
---o0o---

Saturday, December 01, 2007

Skanking with The English Beat at Antone's in Austin, Texas



"skank (skāngk) noun. A rhythmic dance performed to reggae or ska music, characterized by bending forward, raising the knees, and extending the hands."

I spent the night at Antone's in Austin, skanking with Dave Wakeling and The English Beat. It was an amazing show. Dave's voice, warmth, and enthusiasm haven't changed a bit in the years since TEB broke out in 1979. They played songs from General Public and The English Beat, and some of Dave's solo work, but focused on The English Beat. For two+ hours Ska rocked the house.



They played a couple of Motown covers (including a masterful Tears of a Clown), Rotating Heads, Mirror in the Bathroom, Acklee 123, Can't Get Used To Losing You, I Confess, Tears Of A Clown, Save It For Later, Hands Off She's Mine, Doors Of Your Heart, Ranking Full Stop, Best Friend, Rough Rider, Click Click, Get A Job/Stand Down Margaret, Best Friend (with its awesome guitar lines), and probably a dozen more.

The seven piece band was lock-step tight, and clearly enjoyed themselves. The sax was piercing, the organ/piano was good, but mainly functioned as part of the rhythm section (hey, The Beat never did go much for soloing other than those signature sax lines). Dave's vocals and vocal sound effects were perfect, the drums thundered, and the chiming guitars sounded gorgeous. The new "toaster" (a kind of Ranking Roger replacement who sang and functioned as cheerleader, poet, and rabblerouser) was excellent. Over the years, I've sometimes forgotten just how great this band really is, and what a talented singer and songwriter Dave Wakeling is. And it really hit home that a huge part of the English Beat sound is just Dave's voice and accent.



This band rocked, and I mean rocked, from the first chord to the last. Unlike any show I've seen since, say, The Grateful Dead's last Seattle show in May, 1995, every single person in the audience was on their feet and dancing for the entire two+ hours. Antone's throbbed and pulsed. . .the beers were flying everywhere while people skanked and danced, and the band sucked up all the love and energy and turned it back on us. This show is officially up there in my top ten of all time.



I was again struck by the love and positivity [1] that band was always about, while not ignoring their boho (and Birmingham working class) side. They just moved up a couple of notches in my rockpile pantheon. . .and they were already high up on the mountainside.
__________________________

[1] Interestingly, I had to look up the word positivity to verify it is indeed a word and it has a meaning I vaguely knew: "the state or character of being positive: a positivity that accepts the world as it is." That second definition sounds pretty Buddhist to me, but it also applies to Dave Wakeling. He accept things as they are and his music celebrates the sweep of life, but that doesn't mean he doesn't want to change it. And from what I know know of his various charitable works, he's doing it, One Smile At A Time.
---o0o---

Friday, November 30, 2007

The New York City Sewer Guy


click to enlarge


My boss brought me back a great canvas from New York City on a recent trip there. As you can see from the photo, it matches my own canvases that are hung in my office. The Sewer Guy creates these on top of those gigantic manhole covers all over the city, using paint and a rubbing technique. I love it!

Mark Nilsen has a web site here. If you ever bump into him on the street, he'll whip up a canvas for you either pre-made, or right on the spot on top of a manhole cover...
---o0o---

Back In Austin, Texas




I've had a great 24 hours in Austin so far. Last night we went out to "fancy barbecue" at Lambert's in the 2nd street district (right next to the warehouse district). I've never had barbecue with cloth tablecloths, napkins, and wine goblets. There was a great piano player, and we had a very good golden ale local beer (great for a beer wimp like me) Real Ale Firemans No. 4 and excellent green chili grits. I had some coffee and brown sugar rubbed and oak smoked brisket, and a great iceberg wedge salad.

I was so dog tired that I fell asleep within two minutes of arriving back at The Austin Motel. I fully intended to rest my eyes five minutes, and go across the street to the Continental Club to hear some music. I woke up fully clothed, contacts still in at 4:15. I wish I was here next week: The Knitters (John Doe, Exene, etc) are playing two nights at the Continental.


Tonight I'm off off t0 see The English Beat/The specials/Special Beat/General Public/Fine Young Cannibals at Antone's in the warehouse district.
---o0o---

Thursday, November 29, 2007

Heading to Austin...



Long time reader, friend for thirty-nine years, and someone who makes my year every time I get to see him [1], wrote suggesting I quit using the image of the crashed monoplane when I write about traveling, and instead use the cover of the Special Beat Service album by the English Beat. And he's right. As it happens, I and The English Beat will both be in Austin, Texas tomorrow, and we will be in the same room at Antone's. Oddly enough, it was Kev who introduced me to The English Beat, and their final album, Special Beat Service. I became a fan, and followed the careers of their offshoots and motherlodes, The Specials, General Public, and Fine Young Cannibals. And now it's all come full circle. And Kev, God bless his soul, said I should post the SBS album cover because "they all arrive safely as you always do."



Who'd have ever thought I would fly all around this world? Or that I might become discombobulated when I hadn't flown anywhere for a couple of weeks? I remember back to a time when an 84 hour bus or train trip was preferable to boarding a 'plane for a four hour flight.

I am still sorting this all out. Somehow I have moments when I miss being petrified about flying, and wonder if I haven't just been hypnotized by the Great Corporate Snake?

Anyhow, I will endeavor to write more from Austin in the next few days...and, of course, give a show report on my happy reunion with The English Beat.

Love,

Jack (boarding the 'plane for San Francisco and on to Austin in five hours)

[1] Like I did this June, when I reconnected with NYC and had a ball with Kev and our familial entourage stalking our old haunts, and new ones, in the East Village, Times Square, The Upper West Side, and Brooklyn, and marveling about the changes in us, and New York, and the world.
---o0o---

Wednesday, November 28, 2007

Aviophobia, Part 26



As December approaches, I am taking stock of my last year. Incredibly, in the last year, I have traversed America on 70 different airplanes. You may recall, in the early weeks of the year, I was locked in the throes of acute chronic aviophobia.

Even when I lived in New York City, and San Francisco, it was all I could muster to get on a 'plane at all once a year to travel home to Seattle. Now, I routinely take multi-legged trips all over the map, switching 'planes, and hopping on turbo-props from one airport to the next.

Only a year ago, I needed Xanax, Vallium, or any sort of phramaceutical psychic soother to get close to an aiport. And those aids were often bolstered with a bloody mary, screwdriver, or glass of wine. The weeks leading up to a flight were filled with dread, and an increasing sense of doom the closer I got to boarding the "aircraft." Today? I barely even think about it until the night before I depart. Yeah, I usually only sleep a few hours that night before, but I have become sanguine about the flights. On the 'plane, I bring a load of distractions: whatever book I am currently reading, a Nintendo DS to play games, a laptop computer (that I almost never use in flight), a sketch pad or canvas to draw on, and a notebook for stories and poems.

It mostly works. I don't even think about my stainless steel hip setting off alarms and the subsequent indignity of friskings and patdowns. It's just part of the deal now. I am extremely uneasy in flight, but I've mostly sorted it out. I'll be traveling to England and Pune, India in the next couple of months, so I shouldn't get too cocky. . .but for the moment, I've tamped down the extreme anxiety and fear of flying to a level that's at least tolerable. And oddly enough, I am happiest on a turbo-prop, flying close to the ground, with the propeller whirring about five feet from my head. What's the deal with that?
---o0o---

Poem: Narcissism



"They all sound the same," shouts someone in the audience. "It's all one song," replied Neil Young.

It's all about me
Who are we spoofing
When we pretend otherwise?

It's all one story
It's all one poem
It's all one song

Like it or not.
---o0o---

Another random poetry generator

I've always been fascinated by poetry generators. I wrote one in the Prolog language in the 1980's and fiddled around with it forever, never able to get it quite right. This one, Rob's Amazing Poetry Generator, looks at a URL (in this case All This Is That) and comes up with a poem. Well, it's not much of a poem, but what I found fascinating was the way it grabbed snatches of this blog from two and three years ago and attempted to incorporate them into the poem. This actually makes me want to attempt to write another one. For what it's worth, here is what Rob's generator came up with:

All This song The
United States of bitters; 2 07 with
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in this blog...

Using the blog about the life of my friend Philip Kendall, it came up with this one:

In hand, over and this was
crawling across this is not jokes, all
of him fight once, although they camped out the
last time. you put them and
did have a guy name. u003d\\\>\
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anyone we decided to
ride a whistle.
I would suggest popcorn,
Story Kevin Curran would respond
with Hobart when Dad pulled up, again,
What are wasting your game.
---o0o---

Photomontage: Jeri Kehn pressing the flesh (includes one photo of her husband) and links to Jeri Kehn photo motherlode

Jeri Kehn has been busy on the campaign trail once again. This week, we find her pressing the flesh and posing for photo ops in four different states. That wrinkly guy in the upper left hand corner is ex-Senator Fred Thompson, who is running for office, or something.


click Jeri to enlarge

The Jeri Kehn photo motherlode:

Latest Jeri Kehn sightings and photographs
Two more Jeri Kehn Thompson Photos
Jeri Kehn Thompson photo update No. 12--eleven new Jeri Kehn photographs
Two more Jeri Kehn Thompson Photos
A Jeri Kehn Thompson cameo appearance in a Fred Thompson campaign video, four new Jeri Kehn photographs, and a Mrs. Fred Thompson photo roundup
Three additional photos of Mrs. Fred Thompson a/k/a Jeri Kehn
Meet the Thompson Twins: Fred Thompson's wife, Jeri Kehn (with photos)
One More Jeri Kehn Thompson photo
Jeri Kehn Photos, Part 3: Three more photos of Mrs. Fred Thompson
More Jeri Kehn photos--> A follow-up to "Meet the Thompson Twins: Fred Thompson's wife, Jeri Kehn (with photos)
Not Jeri Kehn: people who are not Mrs. Fred Thompson, yet who often turn up in search engine searches on "Jeri Kehn"
Three new Jeri Kehn photos; links to Jeri photos; and Fred Thompson describes the beauty of having a hot first lady;
"
New photographs of Jeri Kehn Thompson on the campaign trail (and a couple of her husband Fred too)
----o0o----

Tuesday, November 27, 2007

Alien Lore No. 118 -- Video and lyrics: The Carpenters' Calling Occupants Of Interplanetary Craft

Calling Occupants Of Interplanetary Craft is unquestionably the nuttiest song The Carpenters ever recorded. . .so out there it qualifies as an Alien Lore entry on All This Is That. Aside from Sun Ra, not a lot of modern music has focused on "visitors" alien lore, or close encounters, and for the clean-cut mainstream Carpenters to perform this song was, even in those wacky times, a real mind-f***er!

Calling Occupants of Interplanetary Craft is a song by Klaatu, originally released in 1976. It was covered by the Carpenters with a crew of 160 musicians.

John Woloschuk, a member of Klaatu and one of the song's composers, said:
The idea for this track was suggested by an actual event that is described in The Flying Saucer Reader, a book by Jay David published in 1967. In March 1953 an organization known as the "International Flying Saucer Bureau" sent a bulletin to all its members urging them to participate in an experiment termed "World Contact Day" whereby, at a predetermined date and time, they would attempt to collectively send out a telepathic message to visitors from outer space. The message began with the words..."Calling occupants of interplanetary craft!"





Calling Occupants Of Interplanetary Craft

In your mind you have capacities you know
To telepath messages through the vast unknown
Please close your eyes and concentrate
With every thought you think
Upon the recitation we're about to sing

Calling occupants of interplanetary craft
Calling occupants of interplanetary, most extraordinary craft

Calling occupants of interplanetary craft
Calling occupants of interplanetary craft
Calling occupants of interplanetary, most extraordinary craft

You've been observing our earth
And we'd like to make a contact with you
We are your friends

Calling occupants of interplanetary craft
Calling occupants of interplanetary ultra emissaries

We've been observing your earth
And one night we'll make a contact with you

We are your friends
Calling occupants of interplanetary quite extraordinary craft

And please come in pace we beseech you
(Only of love we will teach you)
Our earth may never survive (So don't come we beg you)
Please interstellar policemen
Won't you give us a sign give us a sign that we've reached you

With your mind you have ability to form
And transmit thought energy far beyond the norm
You close your eyes, you concentrate, together that's the way
To send a message we declare World Contact Day

Calling occupants of interplanetary craft
Calling occupants of interplanetary craft
Calling occupants of interplanetary, most extraordinary craft

Calling occupants
Calling occupants
Calling occupants of interplanetary, anti-adversary craft

We are your friends
---o0o---

Monday, November 26, 2007

Newsweek looks into what makes Rudy Rudy



If you're a regular reader, you know we think The Mayor of 9/11, Rudolph Giuliani, is not specifically the best choice for President of the United States of America. Far from it. From the Republican column, we would even give the nod to that dingbat Dennis Kucinich, or the plodding but charming Fred Thompson (bonus: knockout first lady) before we'd give the nod to Rudy. If I was a Republican I'd probably vote for Mike Huckabee or Mitt Romney. Note: I've only voted for two republicans in my entire life, and I'd be glad to do it again if they could just quit sounding like, well, Nazis, toothless hillbillies, imbeciles, reactionary toads , whores to the establishment, Republicans.

Giuliani unquestionably has done some good in his life. He completely turned around the town I lived in for five years (NYC), and as a federal prosecutor, he broke the strangle-hold of the mob on NYC and elsewhere. But then there were other problems, with his trigger-happy police, who seemed to feel like they had a standing shoot to kill order on anyone who breached the peace, or with his personal life where he felt no compunction about housing his girlfriend and wife and children in Gracey Mansion at the same time. And then, at his nadir in public opinion as he was about to leave office, 9/11 happened, and he walked around with a hardhat and megaphone issuing sound bites to a ravenous press, and he was suddenly transmogrified into an expert on Islam, terrorism, and national security. The policemen and women and the firefighters do not agree. And neither apparently do many other people. Under this logic, I should probably be the police commissioner of New York City, since I was mugged three times while I lived there.



"On Sept. 16, 1992, the police in New York City held a rally that spun out of control. The cops wanted a new collective-bargaining agreement, and they were angry at Mayor David Dinkins for proposing a civilian review board and for refusing to issue patrolmen 9mm guns. More than a few of them tipsy or drunk, the cops jumped on cars near city hall and blocked traffic near the Brooklyn Bridge. According to some witnesses, they waved placards crudely mocking Mayor Dinkins, the first black mayor of New York, on racial grounds, while at the same time chanting "Rudy! Rudy! Rudy!" to welcome Rudy Giuliani, the crime-busting former U.S. attorney who had arrived in their midst to shore up his political base.

"It is not clear Giuliani knew exactly what he was getting himself into—he later denied that he did—but video shows him wildly gesticulating and shouting a profanity-laced diatribe against Dinkins. The next day the New York newspapers were sharply critical of Giuliani (a Daily News editorial called his behavior "shameful"), and Dinkins, years later, accused him of trying to stir up "white cops to riot." At the time, Giuliani refused to back down or apologize for his remarks, saying only: "I had four uncles who were cops. So maybe I was more emotional than I usually am." Giuliani's performance that day lost African-American voters, some permanently, but it guaranteed the informal backing of the Patrolmen's Benevolent Association, the policemen's union, which helped him get elected mayor in 1993."
---o0o---

More on the El Rancho Drive-in in Kent, Washington

By Jack Brummet, Green River Valley Ed.



click to enlarge

There were three drive-ins in Kent, but we mainly went to one, because it was cheap. The El Rancho was our high school choice to see spaghetti westerns, scary movies like I Saw What You Did And I Know Who You Are, and monster movies like The Blob, Invasion of the Body Snatchers, and The Day The Earth Stood Still, or Billie Jack, Charles Bronson, and Clint Eastwood movies, or sometimes R-rated potboilers by Russ Meyers, like The Stewardesses, or the memorable Wife Swappers.


There were two other drive-ins in Kent: The Midway, on West Hill, which still exists, albeit as a swap meet location (the screen has long been dead), and the Valley Drive-in (which closed in the last two years). The El Rancho opened the year after I was born.


The fantastic marquee out front showed a gigantic cowboy on the range, cooking bacon in a cast iron skillet over a campfire. At $3.50 a carload, so you could see a movie for about seventy-five cents. Lining the street in front of the drive in were a row of stately Lombardy poplars. The El Rancho was torn down in 1975, but there among the concrete tilt-up warehouses and strip malls, a few of those poplars still exist, in between buildings and warehouses.

Drive-ins close every year at a quickening pace, but in this state (Washington) a few remain:

Samish Twin Drive-In Theatre
Bellingham

Auto Vue Theatre
Colville

Dayton Drive-in Theater
Dayton

Puget Park Drive-In
Everett

Your Drive In Theatre
Longview

Rodeo Tri Drive-In Theatre
Port Orchard

Blue Fox Drive-in Theater
Oak Harbor

River-Vue Drive-In
Pasco

Skyline Drive-In Theatre
Shelton (with an actual Indian totem pole at the entrance)

Wheel-In Motor Movie
Port Townsend

Vue Dale Drive In Theatre
Wenatchee

Country Drive In Theatre
Yakima



one of the two murals in front of the theatre


An aerial view of the El Rancho before it was demolished
---o0o---