Tuesday, March 10, 2009

It's been ten years and 7 days days since I last heard Jerry Melin's voice


Click to enlarge - a painting I did from a photo of Jerry. Curiously, on the wall behind him
is a piece of sheet music for the song "Dear Old Pal Of Mine."

My great friend Jerry Melin died ten years ago today. It was probably the second worst day of my life. As St. Paddy's day comes around, I always remember Mel, and his funeral on St. Paddy's Day itself. I have printed this before here, once or twice, and feel compelled to one more time. I still have moments when I wish I could tell, or ask, him something. I don't think a day goes by that I don't think of him at least once. And ten years later, his intelligence, and love of life and friends and family remain a part of my life. When I read or write or paint or speak or draw or recite of listen to music, or watch a movie, I often feel Mel looking over my shoulder. He may not applaud or approve whatever I'm up to (and I can live with that), but I still check in with him, as best I can. Mel: there is no question about it--you are both still missing and still missed.

_____________________

I'll never forget--as long as I'm compos mentis--the morning Dot Melin called me to tell me the news. It was about 7:00 in the morning. I was taking a shower and my son Colum came in and said Dot's on the phone for you. And I knew. I knew it as sure as I'd known it that day on May 19, 1964, when I rode home on my bicycle from a baseball game and saw my mom standing on our back porch watching for me to arrive home. "He's gone."

It was this week he died. His funeral was held on St. Patrick's Day.

Ten years ago, Jerry Melin, died in Marin County, California (where he lived near The Grateful Dead, a band we both loved). He even met a few of them during his years in Ross. Mel's death was a jackhammer blow; a blow I still try to understand and absorb. There is not a day when I don't think of him often, all these years later. Even now--last night, in fact--there are things I want to tell him; things so strange, or amazing, or bent, or obscure and ethereal, that only he could plug in to them. And yet my loss is nothing like that experienced by Dot, and his three wonderful daughters. Whenever I see them, I know that he's smiling and maybe bragging them up to Gabriel and St. Peter.

Mel died instantly of a heart attack in the middle of a tennis match. His wife, Dorothea, asked if I could speak a eulogy at his funeral. I wasn't sure I could, if I could even write it. I wasn't thinking right. Somehow, 'though, I felt Mel peer over my shoulder and was able to get something on paper. I was even able to deliver the eulogy in a packed church without completely breaking down. It wasn't looking at his widow or his three young daughters, or all our friends, or the people of Ross that got me through it. I asked myself "what would Jerry do?" How had Jerry managed the deaths of our friends Phil, Peter, Jannah, Colin, or his father? It was not by boohooing...that was not his way.

The Way was to realize that chapter was over and go from there, and celebrate. "You celebrate them by digging that we're here, " he would say, "there's plenty of time to be pushing daisies. You celebrate them by celebrating this. Dig this and dig it now because tomorrow never knows, as that hippie Beatle sang."

I gave a eulogy at his funeral in March, 1999:

Eulogy for Jerry Philip Melin

[This first paragraph about the church I ad-libbed at the funeral and wrote down when I got on the plane that night].

I look around this church, and I see--what?-- Three Hundred People? I know Jerry would have been amazed; he would be amused. This is half the town of Ross, California. Jerry never dreamed he could sell out a Catholic Church. It's S.R.O.--Standing Room Only--here. It should be. No, Jerry could not have dreamt this. I wonder if it's some kind of dream myself. But I know it isn't, because we are here, together. And I wish we weren't.

My earliest Jerry memory might be the Letterman's Jacket Incident. Jerry lettered in gymnastics, and had later made "improvements" to his Kent Meridian High School letterman's jacket. In addition to a carefully rendered, bright white rendition of Mister Zig-Zag on the back, he reversed the letters on his jacket to read MK. The football coach stopped him one day and asked (I'll try my dumb coach voice): "Hey­­ what's this MK jazz stand for?"

When Jerry answered "Mein Kampf," the coach, of course, went absolutely bananas. Jerry had to surrender the Jacket eventually because it violated several rules, but for Jer this was a personal triumph, beating anything he'd done on the parallel bars or the rings, and leaving his vaulting wins far in the dust. He'd riled The Man.

Over the years, I called him at various times--of the names I can actually say in church--Jed, Jer, Mel, Bart (referring to the Hobart Dump), Jeddy and even sometimes, Jerry. These last few years we settled into Mel, and he called me either Doc, or Jack.

He was a skilled artist, creating bawdy cartoons of people locked in improbable combinations and situations, and incredible William Blake-inspired drawings of sinners and angels. He was a skilled stockmarket analyst and a securities trading wiz (not bad for a guy with a degree in English literature). He wrote chilling fiction and fantasy, often in stream of consciousness bursts, folded into those twenty page letters from Mexico, Alaska, Greece, Bellingham, Manhattan or Seattle. He was an introspective philosopher who could keep you up all night discussing The Big Ideas, and Art and Women and Godhead. Jerry was also a prankster unparalleled. I could go on about that alone forever. Jerry was an adoring husband, a doting father, and a friend whose intensity swallowed you up. You knew he loved you.

I tried to find my box of letters, stories, drawings, and poems from him before I came to California for this funeral--and even those many emails. His letters to me, at least, were machine-gun meditations on life--a vortex of free associations on the nature of Art and Destiny and Man's follies. These letters were shot through with his comic vision of humankind that plumbed the lowest and highest of humor.

His warped sense of humor and willingness to talk from the heart sustained us through a lot of happy times, tragic losses, and life itself.

In 1978, Jerry and I took a most ill­-advised trip from my home in New York City to his home in Seattle. You could travel from anywhere to anywhere in the U.S. for $49 on the Greyhound Bus.

One of the things I remember most about that trip is how much we laughed and babbled and talked through the night as we crossed those twelve desolate, frozen states in those nightmare bus seats, usually trapped in the back of the bus, near the toilet. We finally arrived in Seattle, and staggered off the bus after three and a half showerless and cramped days. We went to our respective family's homes.

Jerry called two hours later to see if I wanted to hang out. We had been six inches apart for 85 hours! I was ready for a serious and long Jerry­break, but he wanted to know when I would be arriving at his place to liberate him! There was more to transact! We had unfinished business. He could never have enough. I was always the first one to go, to hang up, log off, or go to bed. He never ever wanted to say goodbye.

There was never a time when we talked that he didn't hound me to come visit him in Kent, Seattle, Bellingham, Manhattan, Long Island, Mexico, San Francisco, or up in Dutch Harbor, Alaska. Wherever he was was where I should be. It was critical that he knew exactly when we would see each other again. It was always "Jack. . .drive that car down here tomorrow. . .it's only 16 hours and you've got five days off." Or "Doc. . .come down here and quit working so damned hard. . .we'll sit in the hot tub and talk about politics and Rembrandt and old kings."

Jerry would never ever hang up without extracting a solid promise we would get together As Soon As Possible.

In retrospect, I wish I had driven down here a week ago, the last time he insisted I come immediately. He was really applying the heat this time. He knew I had a lot of time off, and I thought about it. He really applied the pressure­­. But I don't think Jerry had any sense of what was to come later that week; I don't think he knew he had days to live. He just wanted that visit to glimmer in the distance, as a possibility, as a carrot to keep him going. Mel had to know you'd be there again, in person.

How can we not all love and cherish someone who loved us as relentlessly as that? For everyone who knew and loved him, there will always be a void that only Jerry can fill.

I'll miss those midnight calls about Flemish painters and Yeats and Shakespeare and the mad popes. It was all so very important to him and he always wanted every detail about my life, and the things I read and wrote and painted, and created at work, and about my family, and about my wife he adored. . .all of that was never far from his mind. Half the time, I couldn't pry a word out of Jerry, but he was there, pumping words out of me like an oil derrick.

Mel measured his life by the people he loved. That was his yardstick. I hope we can all come to practice even a little bit of what he taught us about devotion and intensity and reaching out. Jerry's love was relentless.

I know I speak for Jerry when I tell you he wants us to somehow accept this terrible thing and learn to laugh again. Jerry was never much of a mourner; he was a liver. This much commotion about his passing would be too much. He wants you to ponder not his passing but his glorious transit through this bright blue ball.

It's going to be too long
until we hug Jerry
but until then,
I know that once you're through
with the orientation and settling in,
you'll be teaching those angels
new moves and showing them
just how much room there really is
to dance on the head of a pin. ­­­­

Jack Brummet, 1999

_______________________

Some other articles (although the ones wth audio links no longer work) on Jerry:


Jerry Melin, Master Forger and Craftsman
A Blog for Phil Kendall
Photograph: Jerry Melin At Mud Bay, Bainbridge Island, Washington
Jerry Melin, still missing, still missed
Mel, Part 1
Audioblogger Post::::Kevin Curran And Jerry Melin Meet The Poet Allen Ginsberg At The Grass Roots Tavern On NYC's Lower East Side
Senator Jerry Melin Speaks Out About 1979
Further ruminations on Phil Kendall
---o0o---

Painting: Hi Mom! I'm Paroled!


Monday, March 09, 2009

On the Surf N Turf Circuit: Faded supernovas, one-hit wonders, and bands you've sort of heard of board their buses on the casino loop



Hearing that Jewel was playing the casino circuit now, I began wondering who else had been reduced to the casino loop. An unbelievable array of bands and singles are criss-crossing the country now, and may be nearly as big a draw as the $1.29 well drinks and the $9.99 all you can eat buffet.


Even people who can still sell out mid-sized venues like Bob Dylan (it hurts to type this), Cher, Jimmy Buffett and Shania Twain have hit the casinos.



The Century Casino in Edmonton, Alberta has recently hosted acts like Trooper, Herman’s Hermits (who in their prime often out-sold The Beatles), Air Supply, Gary Lewis and the Playboys, and Don McLean. They have also had arguably strong rockers appear like Joan Jett and Cheap Trick.




Wayne Newton started out playing casinos, but now he's playing the really crappy ones. Danke Shoen, dude!



Blind Melon, Vanilla Ice, Chilliwack, Soul Asylum, Kim Mitchell, The Cowsills, Glass Tiger, Nitty Gritty Dirt Band and Blue Oyster Cult have all recently played in a Calgary casino.

Three Dog Night, The Doobie Brothers, The Allman Brothers, Blondie, The Beach Boys (with none of the Wilson Brothers), The Oustsiders (Time won't let me...a great rock single), ? and the Mysterians, Eric Burdon of The Animals, Tommy James & The Shondells, Mark Lindsay of Paul Revere & The Raiders, Mitch Ryder of The Detroit Wheels, and Ron Dante of The Archies have all hit the circuit.

Air Supply also played the Stampede Casino. Kelly Doody (nice name) wrote in the Calgary Sun: "I asked one of the clean-up staff if it had been a sold-out performance. "Yeah," he told me emphatically while straightening back out the banquet chairs. "I'd say there were at least 200 people in here."

He's not a rocker, but the Foxwoods Resort Casino in Connecticut had a year long agreement with The Daily Show's Jon Stewart to appear.

Pechanga Resort & Casino in Temecula, Californiahas brought in rockers, as well as people and bands like Bill Cosby, Jerry Seinfeld, Keith Sweat, Kool & the Gang, and even bands like Rascal Flatts, and Rob Thomas of Matchbox 20, that attract the under 50 set.


Jewel. I am really not a fan of her poetry, but I thought her first album was pretty good. She tried to become a pop tart and it didn't fly with the public, and now she too is on the Surf N Turf Circuit.

Creedence Clearwater Revisited. Yeah, Tom Fogerty is dead, and founder, singer, songwriter and guitarist John Fogerty won't go near them, but Stu Cook and Doug Clifford have been on the circuit the better part of the last two decades.




Journey. Actually, these guys can sell out ampitheatres, but they also work the casino circuit. The greatest part of the new (and Steve Perry-less) band is that they hired the spot-on singer of a Journey tribute band to front Journey.




Bret Michaels. The Poison lead singer parlayed success on VH1's Rock of Love into a tour, stopping mainly at the casinos.

Kansas tours with an orchestra, and sometimes charge up to $75 a seat.



And there are literally hundreds more bands you've heard out there, in the great American night, hurtling on buses to their next gig up the interstate.
---o0o---

"It's not that I'm lazy. It's that I just don't care."


Click to enlarge

One of the dozens of excellent quotes from the film Office Space.
---o0o---

Sunday, March 08, 2009

Song: Tennessee Stud by Doc Watson with The Nitty Gritty Dirt Band

Doc Watson's Tennessee Stud is one of my favorite songs of all time. Doc did a stunning rendition of the song on the Nitty Gritty Dirt Band's landmark album in the early 70's.



----o0o----

Saturday, March 07, 2009

My last poetry reading...


click to enlarge

This was probably my last paying gig (and probably only my third, ever) reading poetry. You can see why I don't do that anymore when you see the article. I've done free ones and benefits since then (like the one I did in Greece last July), but at those, you get what you pay for. . .at this one, however, I forgot the punchline of a joke, and was completely rattled. From the first minute, I couldn't wait to escape the stage.
---o0o---

Video: Johnny Cash plays A Boy Named Sue at San Quention Prison


---o0o---

Thursday, March 05, 2009

Painting: Kev on the guitar


...as always, click to enlarge...
---o0o---

The Great Molasses Flood


Leslie Jones, a Boston Herald staff photographer took this photograph of the
wreckage. [Public domain photo]

This is the kind of story you might read in Paul Bunyan, an absurdist novel or an early Woody Allen movie. But it actually happened. It has been ninety years (and a couple of months) since The Great Molasses Flood a/k/a The Boston Molasses Disaster, a/k/a The Great Boston Molasses Tragedy.

On January 11, 1919, a massive tank filled with 2.3 million gallons of molasses [1] burst. It sent an enormous wall of molasses down Commercial Street and through a quiet Boston neighborhood. This wall was traveling at about 35 miles per hour.

21 people - from age 10 to 76 - died in the flood. 150 more people were injured. Houses were destroyed, and so were the elevated railroad tracks. Streets and sidewalks were flooded.

No one ever determined just why the tank broke open. Some people speculated on the unusually warm day and others that the tanks itself was flimsily constructed. Naturally, the tank's owner The United States Industrial Alcohol Company went so far as to claim that deranged anarchists were responsible.

According to a Boston historian, Robert J. Allison, the flood's impact changed the way tanks were built and tested:

"Immediately you had this 50-foot wall of molasses which destroyed the elevated rail tracks, the fire house, and killed 21 people while creating a big mess," said Allison, who is chairman of Suffolk University's history department. "But after the flood happened, companies who made these big drums had to have different standards for safety. If the molasses tank did not explode, there could have been a big explosion in the future, perhaps something like a gasoline tank."



If you want to know more than this, Stephen Puleo wrote a book in 2004 book called "Dark Tide" [2] that goes into the disaster and its aftermath, in great depth.
_____________________

[1] In 1919, molasses was still the standard sweetener in the United States. It was also used to produce rum and ethyl alcohol. Alcohol was not only good drinking, but it was a key component in manufacturing ammunition.

[2] Puleo, Stephen (2004). Dark Tide: The Great Boston Molasses Flood of 1919. Boston, Massachusetts: Beacon Press. ISBN 0-8070-5021-0.

Wednesday, March 04, 2009

Alien Lore No 150 -- The Big Radio

By Jack Brummet, Alien Lore Editor



As late as the 1920s, many people (including Albert Einstein) still considered light signals as the most practical way to contact distant civilizations/The Greys (a/k/a aliens). Radio transmitters were not yet capable of focusing a beam on a distant planet. It took a 50,000 watt station, like KGO San Francisco, WOR NYC, or KIRO Seattle, to even broadcast up and down the coasts. And finally, scientists gradually became convinced that Mars did not have the conditions to support life. . . therefore, any Greys or ETs, would exist much, much further away.


It wasn't until 1959 that radio-based SETI [Search For Extraterrestrial Intelligence] started to be taken seriously. Giuseppe Cocconi and Philip Morrison showed that radar transmitters of the time were powerful enough to send signals light years through space. "If we can do it, then the aliens might be doing it."

And we've been trying to speak to them ever since.
---o0o---

The Zombies - video: Tell Her No



I like about five Zombies songs. I never totally bought the critical acclaim for Odyssey and Oracle. It's kind of like Captain Beefheart's Trout Mask Replica, where after you listen once or twice, all you can say is huh? I fit them in with other bands like Paul Revere, or Herman's Hermits, who also recorded up to 10 really good songs. Here's one of them.
---o0o---

Arguing on the internet

[click all images to enlarge]







I've received a lot of weird mail on All This Is That over the last four years. Love letters, letters demanding I remove something offensive to someone somewhere, hate mail, insanely argumentative emails that totally missed that what they are reacting to is parody/satire (like a great deal of the extreme statements printed here), and the usual offers and blog spamming. The weirdest stuff, of course, I ignore. I have been sucked into the morass of some pretty stupid debates. I usually avoid them. . .except with those who actually still seem to have even a marginal grip on reality.

The ISS website has some great tips. . .a virtual toolbook for winning internet arguments:

To make up for your lack of research and knowledge, use big words:

Opponent: Saying gays can't march is in direct conflict with the Constitution.
You: Your claims are trefilonious and scadlidiously out of tremdemnation.

Don't be swayed, and even if you are, don't show it.

Opponent: So you see, "The Simpsons" is still quite a relevant show, certainly more so than Family Guy.
You: Nevermind, this is stupid.

Ignore what other people have to say.

You: So you want solders to march into your house and eat your food?
Opponent: The Third Amendment isn't even relevant anymore.
Someone else: He's right, there haven't been enemy soldiers on U.S. soil in 150 years, the possibility of it happening now is almost impossible ever since the creation of the National Guard. You: So you want enemy soldiers sleeping in your bed?

Act like you're satisfied with your point, then leave before hearing your opponent's retort.

You: All the fuck Maddox does is write about how much he hates stuff, oh real funny, He's a fuckin' genius! I'm outta here.
Opponent: Um, did he seriously just leave the chatroom?
Someone else: Yeah.

Always have the last word, even if it doesn't really fit the discussion.



"You: So I guess we can agree to disagree?
Opponent: sure.
You:....shithead

Ask a question you know is unanswerable.

You: I just don't see what's so great about it.
Opponent: Red Son is so brilliant because it's a hypothetical story that asks a cool question: What if Superman landed in the Ukraine instead of Kansas?

You: If you lived in the Ukraine would you still think it was so brilliant?
Opponent: ?????What?????

Point out misspelled or uncapitalized words in your opponent's argument.

Opponent: Tim Burton's batman was way better than The Dark Knight.
You: Says the guy who can't even capitalize "Batman," and technically, "The Dark Knight" goes in quotes, dumbass. Who taught you English?

Act like your opponent doesn't understand what you're saying.

You: I'm just saying that Superman would totally beat Shazam in a fight.
Opponent: So you think Shazam is weaker that Superman, I know.
You: You obviously don't understand what I'm saying.

The Big Big Planet Blog has an article, "How to win Internet arguments." Here is one of their suggestions (and one I have repeatedly employed here, along with the Nazi suggestion below):

"Group your opponents into large collectives and give them names (for e.g. “the anti-war camp”, “pro-war people”, “the opposition”, “the media”, “abortionists”). Then whenever necessary, you can bring up the less intelligent quotes previously made by other members of their group to re-refute."

Rich "Lowtax" Kyanka writing at Something Awful, posted a piece years ago, titled "How to Win Any Argument On the Internet." There were four precepts he expands upon:

  • NEVER DEFEND YOUR OWN POINTS (just attack the other person's argument over and over and over)

  • CLAIM YOU WORK IN WHATEVER FIELD YOU'RE ARGUING ABOUT.

  • IF LOSING AN ARGUMENT, FEIGN FRUSTRATION AND THEN CLAIM YOU'RE BLOCKING THE PERSON. ("Every person on the Internet harbors a secret fear of having their communications blocked by somebody, particularly when they're devastating that person in an argument").

  • AT SOME POINT IN TIME, CLAIM THE OTHER PERSON IS A NAZI. ("Every, and I repeat EVERY Internet argument should involve at least one comparison to either Hitler or the Nazis").





---o0o---

Tuesday, March 03, 2009

Headshot: Kevin Curran


click to enlarge

Kev must have given this to me sometime in the early to mid-80's. It *seems* to be an outtake from a photo session for a headshot during his acting days (and what I wouldn't give to be able to post his appearance on Days of our Lives I think it was).
---o0o---

Monday, March 02, 2009

Two years on the road slows to a trickle


I have retired the list I kept in the sidebar "Where is Jack," which was helpful the last couple of years as I flew around the country, and other countires, every week. But it seems unnecessary now that I travel far less. I did want to keep a copy of the now retired list and make it a link. Here are most of the places I've been over the last two years:

Eugene, Oregon 1/21 - 1/23/2009
Berkeley/Emeryville, CA 12/9-12/10 2008
Vancouver/Victoria, British Columbia, Canada Nov 7, 8, 9, 2008
Berkeley/Emeryville, VA 9/11-9/12 2008
Eugene, Oregon August 6th, 2008
Athens-->London-->Vancouver, B.C., Canada-->Seattle, July 18th, 2008
Athenai, Hellas July 14-17th 2008
Naxos, Greece July 11th-13th:2008
Santorini (Thira) Greece July 10-11th 2008
Sitia, Crete, Greece July 6th-9th 2008
Rhodes, Greece, July 4th-6th 2008
Datca, Turkey July 1-4,2008
Selcuk Turkey July 29-July 1, 2008
Ankara, Turkey June 28-29th 2008
Gorem, Cappadocia, Turkey June 25-28th,2008
Istanbul, Turkey June 19-June 25th 2008
Seattle-->Calgary, Alberta-->London-->Istanbul, June 18th
Victoria, British Columbia, Canada June 3-4: 2008
London, England May 2-May 4, 2008
Sheffield, England April 29-May 2, 2008
London, England Apri 29th, 2008
Irvine, Orange County, California Apr. 22-23 2008
Irvine, California Apr. 15-18th 2008
Oakland 3/11 - 3/13/2008
Puerta Vallarta 1/22 - 1/29 2008
Oakland 3/11 - 3/13
Los Angeles 1/22 - 1/23 /2008
Austin Jan 14th-16th, 2008
Irvine, California Jan 7-Jan 7th, 2008
Eugene 11/1-2/2007
Los Angeles 10/30/2007
LA/Irvine 9/18-19 /2007
LA/Irvine 8/7/2007
Eugene 8/1/2007
Austin 7/19-21/2007
Boston, Massachusetts 7/-18-19/2007
Eugene, Oregon 6/21/2007
Oakland 6/20/2007
NYC 6/5 - 6/11, 2007
Boston, Massachusetts 6/4-6/5, 2007
Newport Beach, California 5/29 -5/30/2007
eugene, oregon 5/9/2007
Oakland, California 5/7 - 5/8/2007
Newport Beach, California 5/6/2007
Eugene, Oregon 4/5/2007
Newport Beach, California 4/4/2007
Oakland, California 2/28 - 3/1/2007
Eugene, Oregon 2/21 - 2/22/2007
Newport Beach, California 1/15/2007
Newport Beach, California 12/3 - 12/4/2006
Oakland, California 10/3 - 10/4/2006
---o0o---